Technical: 3.5
Moral: 3
Rating: PG 13 (Aged 13 and below with parental guidance).
Brothers Soren and Kludd may look the same outside but inside these barn owlets are worlds apart. Soren (voiced by Jim Sturgess) won’t get tired of the bedtime story their father tells about the Guardians of Ga’Hoole, a noble band of warriors who vanquished the evil army named the “Pure Ones”. For Kludd (voiced by Ryan Kwanten), however, such are silly stories only daydreamers like his brother could buy.
Sneaking out of the family nest one night to try their wings at “flying”, barn owlets Soren and Kludd tumble off a branch to the ground. But before they are captured by a hungry wild boar, they are swooped away in the talons of huge mean-looking owls. Their captors turn out to be the minions of the Pure Ones who run an “orphanage”—in reality a training camp that brainwashes abducted owlets to serve their wicked purposes.
Aware of their captors’ nefarious activities to annihilate the owls of the “lesser species” (meaning those outside of the Pure Ones’ dominion) but deceived by the promises of their evil Queen Nyra (voiced by Helen Mirren), Kludd accepts to be a future soldier while Soren is sent to the camp’s slave labor area when he defends a tiny elf owl Gylfie (voiced by Emily Barclay). Soren and Gylfie think the owldom must be warned of the Pure Ones’plan to wipe them out, but who will escape the camp to do it? An old warrior from the ranks of the Pure Ones, Grimble (voiced by Geoffrey Rush) trains the young pair to fly so that they may one day escape the camp and warn the unsuspecting owls.
Directed by Zack Snyder and brought to the screen by Animal Logic, the same studio that made that penguin movie,
Happy Feet, this owl film is definitely something worth hooting about. It’s a visual treat, right from the start. The animators certainly created a magical world—forest, sea, sky—that one could only wish to be real in its majesty and beauty.
This is one time you’ll forget about those plastic 3D glasses you’re wearing as you note the fine details, colors and textures that the film is never short of: the subtle lighting shifts on the owls’ feathers ruffling in the breeze, on the scenic backdrops of sea or storm, on Soren’s flight through a nasty funnel cloud, or on the clouds made translucent by their gliding across the sun. Such gorgeous photo-realism takes
Legend of the Guardians several notches higher than even the better animation films so far made, especially with the impressive rendering of the owls’ eyes.
From childhood we know that owls, with their wide, intelligent looking eyes, have traditionally symbolized wisdom, but being nocturnal, they can hardly be scrutinized at the zoos, so we have never really seen how they move their eyes. But now,
Legend of the Guardians gives us owls with eyes as expressive as humans’. We know a bit about CGI and how difficult artists find it to capture the eyes in animation, but here we have owls’ eyes so realistically conveying human emotions about equally human concerns, like their family’s future or vanquishing evil, that we could come to think they’re not really owls, much less animated owls, but actually human beings in owls’ clothing!
Preposterous though that may sound,
Legend of the Guardians depicts laudable ideals and most assuredly delivers a message on the human condition. Perhaps the story and the script are rather familiar to adults, but to preteens in search of heroes a tale of bravery like this would be uplifting, inspiring us to self-confidently keep our head and heart in the right place in the face of adversity.
The movie is definitely worth a peek for viewers of all ages, but please keep the younger children (below primary school age) and nervous 10-year olds out of the audience. Although it’s a worthy story about the quest toward self-awareness, the dark story is generously spiked with intense situations, and startling fierce encounters between good and bad owls—the stuff nightmares are made of.
You’d never think that owls would be concerned with heroism, honor, adventure, peace, legends, power, family, orphans and class distinction but
Legend of the Guardians says they are, indeed. Well, as we have said, these owls to us feel like humans. The only thing that will probably jolt you out of this “humanowled” world is the warriors’ intricately crafted combat masks. Appreciating the craftsmanship you’d think, “Gee, how could owls make such exquisite metal masks?” Then you’ll realize: it’s only a movie!
--By Teresa R. Tunay, OCDS
