Thursday, August 11, 2016

Nerve

DIRECTOR:  Henry Joost, Ariel Schuman  LEAD CAST: Emma Roberts, Dave Franco, Emily Meade, Miles Heizer, Kimiko Glenn, Marc John Jefferies, Colson Baker, Brian Marc, Ed Squires  PRODUCER: Allison Shearmur SCREENWRITER: Jessica Sharzer, based on a novel by Jeanne Ryan  CINEMATOGRAPHER: Micheal Simmonds  EDITOR: Madeleine Gavin, Jeff McEvoy  DISTRIBUTOR:  Lionsgate  GENRE: Techno-thriller, drama  LOCATION: United States  RUNNING TIME: 96 minutes
Technical assessment:  4
Moral assessment:  3
CINEMA rating:  V14
Extrovert high schooler Sydney (Emily Meade) eggs on her sidekick Vee (Emma Roberts) to join “Nerve”, an app where joiners may be either “watcher” or “player”.  Watchers pay a subscription fee while players complete dares to get paid out of the watchers’ pot.  Watchers vote on the dares players are assigned to do.  If players reject or bail on a dare, they’re out, but if they complete a dare, their cash prize goes directly into their bank account.  They’re also provided an option to go on to the next round.  Tired of being a wallflower, Vee joins as a player.  Her first dare is to kiss a stranger at a diner.  The charming guy he kisses, Ian, has actually been planted there to complete his own dare, dancing on the tabletops.  Their chemistry is cheered by the watchers; from then on Vee and Ian team up for more dares, each one more deadly than then last.
In keeping with its theme, the directors used every trick possible to keep the movie’s energy level zooming high, its visuals distinctive, and its soundtrack pulsating.  This is most apparent in (spoiler coming) the dare that has the motorcycle driver whizzing
blindfolded through New York’s crazy traffic.  It would be next to pointless to nitpick on the technical aspects of Nerve.  Its compelling story told in breakneck speed more than redeems the minor technical flaws.  The fact that Nerve can get the viewers to be emotionally involved, to care for the characters as though they themselves were Nerve watchers, means that whatever technical skills the film needed to deliver its message, Nerve supplied.
Nerve resounds with a loud voice of social commentary.  It takes us into the darker realms of cyberspace while keeping track of what’s happening in the real world.  Its Philippine debut coincides with the introduction in the country of the location-based, augmented reality game Pokemon Go, giving us a foresight into the perils of such games.  While involvement in the Nerve app initially offers players and watchers fun (like Pokemon Go), a deeper look into the motivation of Nerve players reveals serious issues concerning self-image.  Why would young people venture into death-defying dares at all cost? Young people in Nerve tend to yield to peer pressure, and would not think twice about endangering their life—defying authority and common sense—for easy money and internet fame.  CINEMA will not reveal Nerve’s ending; suffice it to say that it is clear enough for the film to be given an Acceptable moral assessment.

Friday, August 5, 2016

Eye in the sky

DIRECTOR: Gavin Hood  LEAD CAST: Helen Mirren, Aaron Paul, Alan Rickman, Barkhad Abdi, Jeremy Northam, Iain Glen  SCREENWRITER: Guy Hibbert  PRODUCERS: Ged Doherty, Colin Firth, David Lancaster  MUSIC BY: Paul Hepker, Mark Kilian  FILM EDITOR: Megan Gill  GENRE: Drama, Mystery, Suspense  CINEMATOGRAPHER: Haris Zambarloukos  PRODUCTION DESIGNER: Johnny Breedt  ART DIRECTOR: Graemie Cowe  PRODUCTON COMPANIES: Entertainment One, Raindog Films  DISTRIBUTED BY: Entertainment One, Bleecker Street  COUNTRY: United Kingdom, South Africa  LANGUAGE: English  FILMING LOCATIONS: South Africa  RUNNING TIME: 102 minutes
Technical assessment:  4
Moral assessment: 2.5
CINEMA rating: V14
The murder of a colleague in the service by Al-Shabaab terrorist group triggers UK-based military officer Colonel Katherine Powell (Helen Mirren) to command a high profile mission for the capture of the terrorist group in Kenya. Through aerial surveillance remotely controlled in Kenya, UK, Nevada and Hawaii, they uncover a planned attack of two suicide bombers. This development prompts Powell to change objectives from capturing the terrorist to killing them. However, American pilot Steve Watts (Aaron Paul), refuses to release the bomb when he sees that a young girl in the nearby building will surely be part of the casualty. This triggers international dispute between the US and British governments concerning modern warfare.  Which will have more weight? Propaganda or international security? Whose life is more valuable? The thousand of would be victims or that of one little girl?
 Eye in the Sky has a strong plot and develops well. The storytelling pieced together through surveillance cameras speaks of a masterfully crafted production. The well written screenplay has several meanings. Excellent performances from Mirren, Paul and Adbi further elevate the characterizations. Production design and cinematography successfully depict a realistic setting.  The lights and sound are likewise fine. Noteworthy is the silence right after the explosion. Overall, the film is technically commendable.

Life is precious and it is never an easy decision to choose between two lives. It is an utmost undertaking especially when time is of the essence and not only one but many innocent lives are in danger against heartless terrorists. This is what transpired in the movie Eye in the Sky. The leadership of Powell illustrates a spirituality that recognizes God and implores His divine intervention amidst a chaotic situation.  While logical thinking and strategic tactics are applied in executing the plan to turn down the targets, this film remains to have a heart and cares even for a single life.  However, violence is inevitable as this is a war film, but the film gains relevance as it portrays how war dehumanizes man in an age when the decision to take lives rests in the hands of power wielders sitting in comfortable offices far removed from the war zones.  

How to be yours

DIRECTOR: Dan Villegas  LEAD CAST: Gerald Anderson, Bea Alonzo, Alex Medina,  Anna Luna, Nicco Manalo, Jerome Tan, Divine Aucina, Bryan Sy, Janus del Prado, Bernard Palanca STORY: Dan Villegas  SCREENWRITERS: Patrick R. Valencia, Hyro P. Aguinaldo  PRODUCER: Elma S. Medua  EXECUTIVE PRODUCERS: Charo Santos-Concio, Malou Santos  MUSIC BY: Emerzon Texon  FILM EDITOR: Marya Ignacio  GENRE: Romantic Drama CINEMATOGRAPHER: Mycko David  ART DIRECTOR: Michael Bagot  PRODUCTON COMPANY: ABS-CBN Film Productions (Star Cinema)  DISTRIBUTED BY: Star Cinema  COUNTRY: Philippines  LANGUAGE: Pilipino  RUNNING TIME: 115 minutes
Technical assessment: 3
Moral assessment: 2
CINEMA rating:  V18
Magkakakilala sila Anj (Bea Alonzo) at Nino (Gerald Anderson) sa isang bar, at dagling magkakalapit ang kanilang kalooban. Bagama’t hindi nag-aral ng pagluluto, nagtatrabaho bilang cook si Anj sa Kapitolyo restaurant row (Pasig) dahil talagang hilig niyang magluto. Si Nino naman ay isang magaling na sales agent ng mga imported lighting systems.  Magpapatuloy ang pagkikita nilang dalawa hanggang sa maging “sila na”.  Buong-loob na susuportahan ni Nino ang ambisyon ng Anj na maging isang chef sa isang high end restaurant hanggang sa puntong ipadadala si Anj ng amo niyang si Pocholo (Bernard Palanca) sa Paris para mahasa ang galing nito.  Magsisimulang dumilim ang mundo ni Anj at Nino gawa ng hindi pagkakasunduan sa kabila ng kanilang mabubuting hangarin para sa isa’t isa.
Bagama’t may mga bahaging medyo “angat” ang How to be yours sa karaniwang pelikula, meron din mga parteng “kapos” din ito.  Halimbawa, mahusay ang sinematograpiya, pero kulang sa paglalarawan ang lalim ng relasyon ni Anj at Nino—mababaw ang pagtatagni-tagni ng mga eksena ng dalawa.  Oo nga, maganda silang panoorin—hindi nakakasawang tingnan ang kagandahan ni Alonzo, lalo na’t napapaligiran siya ng supporting cast na “hindi magaganda” ayon sa isang manunuod na narinig namin— pero kung tutuusin, karikatura lamang ng isang pag-iibigan ang ipinakikita ng pelikula.  Sinikap nitong maging makatuwiran sa parte ng pagtatalo o pag-aaway ng dalawa, at mahusay naman itong naisagawa, nguni’t naging labis namang naging madali ang resolusyon sa huli.  Iisipin mo tuloy, ang pelikula bang ito’y ginawa upang masalamin ang katotohanang namamagitan sa mga mag-sing-irog sa ganitong situwasyon, o para lamang ilungsad ang tambalang Alonzo-Anderson at muling mapag-usapan at mapagkitaan ito?  Sa hinaba-haba ng mga eksena nila, hindi maantig ang damdamin ng manunuod na magka-simpatiya kay Anj man o kay Nino.  Namukod-tangi si Palanca bilang isang malupit na amo, kapani-paniwala pagkat walang self-consciousness sa pagganap.
Iba’t ibang reaksiyon ang natutunugan ng CINEMA sa mga nakapanood na ng How to be yours.  Hindi nag-iisa ang dalubhasa at popular na film critic na pumuri sa pelikula, at may mga movie fans din namang walang nakitang exceptional dito.  Kahit maituturing na “malinis” ang pelikula pagkat hindi ito “bastos”, hindi rin hahayaan ng CINEMA na tanggapin na lamang ng mga kabataang manunuod ang relasyon ni Anj at Nino bilang “kalakaran” na, tulad ng ipinapalagay ng pelikula.  Ang pagsasama nila ay kinukunsinti pa ng mga kaibigan nila, at ni hindi pinagtatakhan o ipinagbabawal ng mga magulang.  Kahit na dumarami na diumano ang tumatanggap sa ganitong mga kasunduan ng mga dalaga’t binata sa ngayon, hindi ito dapat tanggapin bilang “the new normal” ng mga kabataan, bagkus akayin natin ang ating mga anak na igalang ang mga higit pang mahahalagang bagay kaysa pagli-live in.  Magandang tanungin sila: Ang mga hindi pagkakasundo nila Nino at Anj kaya ay mangyayari kung hindi sila nagsasama?  Nang mabalitaan ng CINEMA na dumalo sa premiere screening ng How to be yours si bise-presidente Leni Robredo at ang kanyang mga anak, naisip namin: Paano kaya ipinaliwanag ni Leni sa mga anak niya ang implied premarital sex ng pelikula?