Wednesday, November 22, 2017

Bad Genius

DIRECTOR: Nattawut Poonpiriya  LEAD CAST: Chutimon Chuengcharoensukying, Chanon Santinatornkul, Teeradon Supapunpinyo, Eisaya Hosuwan  PRODUCER: Jira Maligool, Vanridee Pongsittisak, Suwimon Techasupinan, Chenchonnee Soonthonsaratul, Weerachai Yaikwawong  SCREENWRITER: Nattawut Poonpiriya, Tanida Hantaweewatana, Vasudhorn Piyaromna  CINEMATOGRAPHER: Phaklao Jiraungkoonkun  EDITOR: Chonlasit Upanigkit  MUSIC: Vichaya Vatanasapt  GENRE:  Heist Thriller  PRODUCTION COMPANY: Jor Kwang Films  DISTRIBUTOR: GDH 559  COUNTRY:  Thailand  LANGUAGE: Thai with English subtitle  RUNNING TIME: 130 minutes
Technical Assessment: 3.5
Moral Assessment: 3
Cinema Rating: A14
MTRCB Rating: PG13
Lynn (Chutimon Chuengcharoensukying), is a teenage student genius who transfers to an upscale school in ninth grade upon her father’s decision, despite her initial objections. She ends up meeting and making friends with some affluent students, who eventually offer her money in exchange for helping them cheat during school tests. Lynn devises a brilliant plan to broadcast the answers to tests to an entire room of mostly cheaters. As if it’s not enough, her friends challenge her to cheat and do the same for them in a strictly monitored international test for them to have the opportunity to study abroad. Will they be able to pull it off and get away from the crime?
Bad Genius is undeniably a clever film done with such admirable genius. The pacing and plot development are brilliant. It was able to capture its theme from micro to macro perspective seamlessly. The characterization is consistent and the actors, especially the leads all give justice to their multi-layered persona. The film takes its international audience to a milieu both familiar and strange—making the film entirely universal despite the different language. The film style is a fusion of modern technique and sincere emotions that one could easily overlook the film’s rather long running time. The excitement during the entire running time does not falter and up to the end the film does not disappoint. Amid the bunch of teeny-bopper romcom films that audiences usually see, Bad Genius is a breath of fresh air—and it somehow shows that there are many other issues and concerns of the young that films should tackle aside from romance.
Bad Genius takes cheating to a different level and provides a platform for dialogue on a wider social issue of inequality. While God may have gifted human beings with different talents, it is not meant to foster inequality; rather, it’s meant to test one’s responsibility to either prosper such gift for good or not. It is not the ability or the talent itself that makes a person good or bad, but how it is put to use. It is clear in the film that the more blessed one is, the more responsibility he or she has in society. Inequality stems from human weakness of greed and selfishness. Temptation always exists to test one’s character. The film depicts social ills—poverty, corruption, dishonesty—and these exist even in educational institutions. But then goodness triumphs over evil in the end as it is seen that crime, however small, does not pay. What makes the film uplifting is the glimmer of hope it gives as it shows that humans can win over temptations and that doors and chances to correct mistakes for the greater good are always open to those who sincerely repent. But then given the film’s theme on cheating, the very young might see it differently and might selectively pick-up cheating ideas as those petty crimes are mostly committed in classrooms—so CINEMA deems Bad Genius as appropriate only for audiences 14 and up.