Cast: Joseph Gordon-Levitt, Zooey Deschanel, Geoffrey Arend, Chloe Moretz, Matthew Gray Gubler; Director: Marc Webb; Producers: Mason Novick, Jessica Tuchinsky, Mark Waters, Steven J. Wolfe; Screenwriters: Scott Neustadter, Michael H. Weber; Music: Mychael Danna, Ron Simonsen; Editor: Alan Edward Bell; Genre: Comedy/ Drama/ Romance; Cinematography: Eric Steelberg; Distributor: Fox Searchlight Pictures; Location: Los Angeles, USA; Running Time: 95 mins.;Technical Assessment: 3
Moral Assessment: 2.5
CINEMA Rating: For mature viewers 18 and above
In 500 Days of Summer, Tom (Joseph Gordon-Levitt) is an architect too timid to pursue his career, so he’d rather be a writer of greeting cards. Summer (Zooey Deschanel) begins work as the new assistant to Tom’s boss. He is smitten the moment he spots the pert Summer walking down the office on her first day of work, unaware she’s being noticed. Tom’s chemistry doesn’t remain one-way for long, as Summer notices and likes his looks, so one day she makes her move over the copying machine. In no time at all he falls in love with her, but while she has let him deep into her world, sees no one else but him, and says she is perfectly happy with their relationship, she wants nothing permanent—only to enjoy her life and her youth. Summer’s apparently casual attitude towards love baffles and then frustrates Tom. Sometime around the middle of 500 days serious trouble begins which later on leads to a break up. But Tom wouldn’t fall out of love and is in fact determined to get her back.
500 Days of Summer opens on Day 488 and then jumps back and forth, with each episode annotated and marked as “Day…” It is an ingenuous approach to telling a story that allows an incisive look into how love relationships “go wrong”. Billed as a “romantic comedy” this one is anything but light and laughable. In fact, through the recollection of events in a non-linear fashion, the viewer is enabled to seriously analyze how a past event affects and effects a present malady—something which involves the viewer in the characters’ lives. By Day 500 it becomes clear why things turn out the way they do, and we can only hope the characters in the story see it as clearly as we do. Screenwriters Scott Neustadter and Michael H. Weber certainly show a good grip on a love affair’s twists and turns, which good actors Deschanel and Gordon-Levitt give justice to. The combination of those factors must have delighted director Marc Webb.
500 Days of Summer is a movie that begins by telling us how the love story will end and is about how clueless the lover is till the end. MTRCB rates it PG 13—CINEMA would be inclined to label it an adult film, due to its attempt to treat the theme deeply. The presence of a pre-adolescent girl as a “love adviser” to an older man doesn’t make it innocent or acceptable. Sex is a given here (and in fact is the main factor in the attraction between the lovers)—and, like an airborne virus, is not a good thing for young people to “catch”. There is a big lesson here about the need to be attentive to signs and signals, especially where it concerns emotions. People like to see what they want to see when it comes to love, and that is what 500 Days of Summer tries to say. Things and people are not always what they seem: while some people may be easy to read, others may be the opposite of the image they project. People hide behind masks without even being aware of it. Experience tries to teach us, but does experience season us? Perhaps the hero here will know after 100 days of .. uh…autumn?
