Friday, March 5, 2010

Crazy Heart

Cast: Jeff Bridges, Maggie Gyllenhaal; Director: Scott Cooper; Screenwriters: Scott Cooper; Thomas Cobb Producers: T-Bone Burnett, Judy Cairo, Rob Carliner, Scott Cooper, Robert Duvall; Music: Stephen Bruton, T.Bone Burnett; Editor: John Axelrad; Genre: Drama; Distributor: 20th Century Fox; Cinematography: Barry Markowitz; Location: USA; Running Time: 105 minutes;

Technical Assessment: 3.5
Moral Assessment: 2.5
CINEMA Rating: For mature viewers 18 and above

Jeff Bridges plays the character of Otis “Bad” Blake, a has-been country singer and songwriter who once had a wonderful career. Because of his addiction to alcohol and smoking, and failure in his personal life, he now sings in small time bars and bowling alleys merely for survival. He is almost broke, always drunk and wasted. He in on a road tour alone, upon the instructions of his manager, travelling small towns to perform. In one of his small town gigs, he meets journalist Jean Craddock (Maggie Gyllenhaal) who wants to write his life story. They eventually fall for each other. However, his addiction always gets in the way towards a normal, happy life. If he doesn't shape up, he is bound to lose everything – his music and his love.

Based on a 1987 novel, the film's plot faithfully follows the struggle of an alcoholic musician. There is really nothing new with the story except that the acting of Jeff Bridges is so believable that he nearly disappears into his character. The scenes are portrayed so real and poignant as if one is watching a documentary. The nuances and the darkness of Bad Blake's story are portrayed more realistically than dramatically in a sense that the audience is just as drowned as he is to his pain and frustrations. The supporting casts delivered commendable performances as well. As a musical drama, the music plays a strong impact in the movie's storytelling. Jeff Bridges cannot only act, he also sings well.

Crazy Heart is about a lost soul that is Bad Blake. He really lives up to his name playing the bad guy that he is. He smokes a lot, and drinks a lot more. Women come up to him so he easily falls into temptation but never feels guit. He is succumbed to frustrations and failures of his own making, thus living a directionless, meaningless life. Until Jean came along his life who finally gives him a reason to live and more importantly, a reason to redeem himself. He is able to do so with love as his motivation. The value of love, family and friendship is powerfully depicted in the story. Bad Blake’s journey towards redemption can also be a source of inspiration to those who have reached the rock bottom of their lives thinking that change is hopeless. However, the film may have shown a bit too much of darkness in Blakes character that it overshadows whatever goodness left in him. His passion for his craft and music is commendable though. However, sexual relationships outside marriage were shown in the fim as acceptable. Although made in context, this remains to be morally problematic so CINEMA deems the movie as appropriate only to mature viewers 18 and above.

Thursday, March 4, 2010

It's Complicated


Cast: Meryl Streep, Alec Baldwin, Steve Martin, John Krasinki; Director: Nancy Meyers; Producers: Nancy Meyers, Scott Rudiri; Screenwriter: Nancy Meyers; Music: Hans Zimmer, Heitor Pereira; Editor: Joe Hutsing, David Mortiz; Genre: Romantic Comedy; Cinematography: John Toll; Distributor: Universal Pictures; Location: Santa Barbara, California, New York: Running Time: 110 mins;

Technical Assessment: 3
Moral Assessment: 2.5
CINEMA Rating: For mature viewers 18 and above

Jane (Meryl Streep) and Jake (Alec Baldwin) used to be husband and wife. After the divorce, Jake marries Agness (Lake Bell). Jane—when the kids are grown up and out of the house—is in the exciting process of building her dream kitchen. She runs a bake shop-restaurant and makes perfect muffins and croissants. Her architect for this project is Adam (Steve Martin). Jane and Jake are somehow led by fate to get together again when they are preparing for the wedding of their eldest daughter. A reunion that starts as harmless enough is boosted by a drink and a dance, and another and another, until they wake up next morning beside each other in bed. Now the wife is her ex-husband’s mistress, an affair that does not lack in rooters—Jane’s sex-fixated, menopausal friends. Architect Adam, on the other hand, is quietly nursing an increasingly strong attraction for Jane and her croissants, and Jane, enthusiastic about her dream kitchen, is reciprocating by baking him the croissants he craves, all the while having trysts with her ex-husband which is soon to be uncovered by her future son-in-law (John Krasinski). It’s really complicated.

They say It’s complicated is a romantic comedy, but they didn’t say for what age audience. Usually romantic comedies are—like Valentine’s Day and the rest of the lot—are populated by yuppies, adolescents, by nubile bodies aged between 13 and 23 or thereabouts who, incidentally, would not think twice about baring their tanned and taut bods for the camera. But It’s Complicated has for its leading lady a respectable actress way past reproductive age who would not shed off her flesh-colored bra in a post-coitus bed scene. (Well, if the director says a woman her age should be that modest, who are we to contest that, especially if it syncs with the character’s persona?) The acting is great, and one never knows until the end which man this modest woman would ride off with into the sunset. Kudos to the director Nancy Meyers (Private Benjamin and The Parent Trap) for the good screenplay, and also for keeping the supporting actors in their places—not upstaging Streep, Baldwin and Martin. The movie is part drama, part comedy, and the lines are evenly divided between profound and funny—although there’s one really hilarious scene where (spoiler coming!) Baldwin is naked before a laptop.

As a comedy, It’s complicated is entertaining enough but also shows sensitivity in handling the… well, handling the complications of taking human situations and feelings too lightly. Jane is a strong woman, despite appearing emotionally flaky when with her girlfriends. The children of the former couple Jane and Jake are presented as being mature and well-adjusted. If this were a drama that would not look realistic, but since this is meant to be comic, that’s forgivable. Despite its light approach and considerable restraint in the lead characters, It’s complicated is grown up stuff, and therefore may be limited to adult audience. Young minds will not benefit from its adult theme, not understand what really goes on deep inside adult minds when their lives get to be so complicated.

Saturday, February 27, 2010

I Miss You Like Crazy

Cast: John Lloyd Cruz, Bea Alonzo, Maricar Reyes, Noel Trinidad, Tirso Cruz III; Director: Cathy Garcia-Molina; Producer/ Distributor: Star Cinema ; Running Time:125 minutes; Location: Manila, Malaysia; Genre: Drama, Romance

Technical Assessment: 3.5
Moral Assessment: 2.5
Rating: For viewers ages 14 and above

Si Allan (John Lloyd Cruz) ay nagta-trabaho bilang account executive sa isang bangko na pag-aari ng mga magulang ng kasintahan niyang si Daphne (Maricar Reyes). Sa kabila ng pagkakaroon ng halos lahat ng bagay sa buhay, tila may hinahanap-hanap pa rin siya. Magbabago ang lahat nang makilala niya si Mia (Bea Alonzo) sa isang kakatwang eksena sa Pasig Ferry. Sapagkat simple at masayahin si Mia, pawang may kakaiba agad na mararamdaman si Allan dito. Isang araw ay muling magku-krus ang kanilang landas at sila ay magkakausap at magkakasama nang matagal. Lalong mahuhulog ang loob nila sa isa’t-isa. Ngunit mayroong problema sa parte ni Allan, hindi magawang iwan ni Allan si Daphne dahil kaakibat rin nito ang pagtalikod sa magandang buhay na kanyang matagal na pinagsumikapan at pinangarap. Nang hindi piliin ni Allan si Mia, ay bumalik ang huli sa Malaysia kung saan siya nagtatrabaho bilang hotel receptionist. Makalipas ang ilang taon ay hahanapin at susundan ni Allan si Mia sa Malaysia ngunit si Mia ay may iba ng mahal at malapit na ring ikasal sa isang Malay. Magkatuluyan pa kaya silang dalawa?

Maganda ang daloy ng kuwento ng Miss You Like Crazy. Kahit pa sabihing alam na ng manonood ang kahahantungan ng kuwento, nagawa pa rin nitong papaniwaling ilihis sa inaasahan at pahirapan ang dalawang pangunahing tauhan na magkatuluyan. Iyon nga lang, sadyang may mga elemento sa pelikula na nagbibgay-dahilan para asahan na nang manonood ang katapusan nito. Sa kabila pa rin nito’y matagumpay ang pelikula sa pagbibigay ng bagong-bihis sa isang kuwentong pag-ibig ng dalawang taong nagkahiwalay, kapwa nabigo at kapwa nahirapan sa pagpili at sa bandang huli’y tadhana pa rin ang nagpasiya sa kanilang kapalaran. Hindi matatawaran ang husay sa pag-arte nila Cruz at Alonzo. Maging si Reyes ay lutang ang kahusayan kahit pa kung tutuusin, siya’y baguhan sa larangan ng pag-arte. Maganda ang kuha ng kamera na nagpakita at nagdala sa manonood sa ilang magandang lugar sa Malyasia. Marami ring makabuluhang linyang magpapa-isip at magpapakilig sa manonood.

Patungkol sa isang wagas na pagmamahalang nagkatagpo sa isang maling panahon ang pelikula. Ipinakita kung paanong ang tunay na pag-ibig ay nahihirapang gumawa ng desisyon dahil sa takot nilang makasakit ng damdamnin ng iba. Ang dalisay na pag-ibig nga naman ay nagsasakripisyo at nagpaparaya. Ipinakita sa kuwento na maaring magmahalan ang dalawang tao kahit pa hindi pa sila gaanong magkakilala. Hindi ito gaanong makatotohanan at maaring magbigay ng maling pananaw sa manonood ukol sa pag-ibig. Lumutang nang husto ang konsepto ng mabilisang pagmamahalan at pag-asa sa tadhana ang kuwento. Mga mahika sa pag-ibig na maaring totoo lamang sa iilan. Higit na nakababahala rin ang pagpapakita ng relasyong sekswal ng mga tauhan sa labas ng kasal. Pawang ang mga ito’y katanggap-tanggap na sa lipunan at hindi na pinagtatalunan kung tama o mali. Nakababala ang pelikula sa aspetong ito. Pero ilan sa mga mabubuting aral sa pelikula ay ang pagpapakitang ang tunay na pagmamahal ay matiyagang naghihintay at sa pag-aasawa, ang kinakailangan ay parehas ang pagmamahal at respeto ng dalawang tao sa isa’t-isa. Ipinakita rin sa pelikula ang pagrespeto sa relihiyon at paniniwala ng isang tao. Gayunpaman, dahil sa ilang maseselang tema sa pelikula, nararapat lamang ito sa manonood na may gulang 14 pataas.

Wednesday, February 24, 2010

Edge of Darkness

ASSESSMENT ONLY

Cast: Mel Gibson, Ray Winstone, Danny Huston, Bojana Novakovic, Shawn Roberts; Director: Martin Campbell; Producers: Graham King, Michael Wearing; Screenwriters: William Monahan, Andrew Bovell; Music: Howard Shore; Editor: Stuart Baird; Genre: Horror/ Suspense/ Drama; Cinematography: Phil Meheux; Distributor: Warner Bros. Pictures; Location: Massachusetts, USA Running Time: 117 min.;

Technical Assessment: 4
Moral Assessment: 2.5
CINEMA Rating: For mature viewers 18 and above

BRIEF FILM SYNOPSIS

CASINO ROYALE filmmaker Martin Campbell director directs a remake of his own BBC miniseries with this thriller. Mel Gibson stars as Thomas Craven, a man who has spent year as a detective in Boston. When his own daughter is killed near the door of his home, Craven realizes that her death is only one piece of a puzzle filled with corruption and conspiracy, and it falls to him to discover who is behind the crime.

ADDITIONAL REMARKS: Film is too violent for children and teenagers.

Invictus

ASSESSMENT ONLY

Cast: Morgan Freeman, Matt Damon, Clint Eastwood; Director: Clint Eastwood; Producers: Lori McCreary, Robert Lorenz, Mace Neufeld; Screenwriters: Anthony Peckham; Genre: Drama/biographical protrait; Distributor: Warner Bros. Pictures; Location: South Africa; Running Time: 135 min.;

Technical Assessment: 4
Moral Assessment: 4
CINEMA Rating: For viewers 14 and above

BRIEF FILM SYNOPSIS

The film tells the inspiring true story of how Nelson Mandela joined forces with the captain of South Africa's rugby team, Francois Pienaar, to help unite their country. Newly elected President Mandela knows his nations remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's underdog rugby team as they make an unlikely run to the 1995 World Cup Championship match. (Warner Bros.)