Friday, February 12, 2010

Dear John

Cast: Channing Tatum, Amanda Seyfried, Richard Jenkins, Henry Thomas; Director: Lasse Hallstrom; Producers: Marty Bowen, Wyck Godfrey, Ryan Kavanaugh; Screenwriter: Jamie Linden; Music: Deborah Lurie; Editor: Kristina Boden; Genre: Drama, Romance, War; Cinematography: Terry Stacey; Distributor: Paramount Pictures; Location: USA; Running Time: 105 min.;

Technical Assessment: 3.5
Moral Assessment: 2.5
CINEMA Rating: For viewers 14 and above

John (Channing Tatum), a soldier of the U.S. Army Special Forces is having a two week leave to be with Mr. Tyree (Richard Jenkins), his father who collects rare coins with a passion bordering on abnormality. Also on a spring break is Savannah Curtis (Amanda Seyfried), a young college student whose physical beauty matches her idealism. One fateful day on a South Carolina beach, John happens to be around when Savannah accidentally drops her purse by the pier and John skillfully retrieves it from the deep water. In the two glorious weeks that follow, the two new acquaintances fall madly in love, enjoy their short time together, even get to know each other’s family and neighbors. After the two week togetherness the two lovers vow to keep their love alive during John’s one year tour of duty by frequently writing each other. But 9/11 happens and John, the good soldier answers the call of duty and enlists again for deployment abroad. This time the separation is much longer. Until when can the two lovers endure the lengthy separativeness? Will the love letters suffice to keep the flame of love burning?

One familiar with Nicholas Spark’s novels or films based on these novels will most probably be conditioned to expect a bitter sweet ending to our current Dear John, another adaptation to the screen of the popular novelist’s work. And true enough, just like the favorite romances, his The Notebook and Message in a Bottle, the film Dear John has that twist almost at the end that makes the ending “not too happy nor too sad” and therefore bearing some similitude to life. A romance is hardly expected to be “realistic” in the sense that it cannot be grim and dead serious but the viewer may appreciate some semblance to life as in the logical development of this story and of its characters. Love, indeed, can be mentioned as among the “collateral damage” in a war. Then, love may not be extinguished but it can undergo a change. Very good photography has captured the beautiful sunshiny ambience surrounding happy young love as well as the grime, hardship and danger in the war scenes as depicted or sepia shades interspersed between the reading of the love letters. The lead characters are well cast. Pensive Channing Tatum with his beautifully chiseled body and Amanda Seyfried with her Rapunzel-like golden hair and expressive eyes are right for the roles which they do adequately well. There is not much depth to the characterization but we note Savannah’s compassionate nature as shown in her attitude towards the special child and John’s mildly autistic father. We also note the patriotic streak in John which impels him to answer his country’s call, a sacrifice that costs him dearly. Such character traits have a bearing on the outcome of the story. Director Lasse Hallstrom handles the story with a tender light touch so that the film acquires a quiet, somewhat lyrical, equality.

Dear John has many things going for it. It is technically good, for one. It has also some positive values. The lead character Savannah comes from a well to do family. But she is unlike other young rich girls her age, on vacation from college. True, she has time far fun but she also gives some attention to those less fortunate, like her autistic neighbor whom she teaches to ride a horse and with whom she spends time. She is idealistic and dreams of building a camp for needy children after graduation. She envisions a life not only of pleasure but also of giving. She probably understands John’s father better than John himself so that she mentions that he may be an undiagnosed mild case but needs understanding, nevertheless. John did not at first really understand his father with whom he could hardly communicate but he does spend some time with him. Autism is poignantly portrayed and the involved families have generously accepted the consequences of the “disability”. Another positive value portrayed is John’s readiness to respond to his country’s needs. However, in spite of the film’s technical excellence and other good points noted, the picture is rated below average because it is blighted by some negative values. Pre-marital sex can never be condoned. Aside from the sensuality, there is also some violence. Only mature viewers 14 years old and above should allowed to see this movie.