Babe I Love You

Cast: Anne Curtis, Sam Milby, Tetchie Agbayani, Nikki Bacolod, Megan Young; Director: Mae Czarina Cruz; Distributor: Star Cinema Productions; Genre: Romance: Location: Philippines;

Technical Assessment: 3
Moral Assessment: 3.5
CINEMA Rating: For viewers 14 and above

Hindi maganda ang simula ng pagkakakilala ng sales promo girl na si Sasa Sanchez (Anne Curtis) at architecture professor na si Nico Borromeo (Sam Milby). Naunang nakatikim si Sasa ng kasupladuhan ni Nico ng alukin niya ito ng produktong alak at nang masamain ng huli ang pagtulong nina Sasa kasama ang mga kaibigan upang iligtas si Nico laban sa mga holdaper. Hindi tinantanan ni Sasa si Nico ng paniningil sa idinulot na pinsala ng pagtulong sa kanya sa hiniram niyang sasakyan at sa kanyang leeg. Upang tumigil sa maiskandalong paniningil ni Sasa ay napilitan si Nico na pumayag ipagmaneho ito upang makapaghanapbuhay habang nagpapagaling ng neck injury. Sa "arrangement" nilang ito ay magkakaroon sila ng pagkakataon na makilala ang isa't isa at makikita ang mga magagandang katangian sa kabila ng mga katayuan sa buhay. Masaya na mahirap ang pamilya ni Sasa na binubuo ng ina at tatlo pang kapatid na iba-ibang ama. Samantala may sariling isyu si Nico sa kanyang pamilya partikular sa kanyang ina na isang sikat na book writer at mayamang academician dahil siya at ang kanyang nakaraan bilang pasaway na anak ang sinisisi sa maagang pagkamatay ng kanyang ama. Sa kahirapan ng kanyang loob ay pinipilit niyang abutin ang kanyang ina subalit paano mangyayari ang lubos na pagkakasundo nila ng ina kung tuluyan siyang ma-involved sa katulad ni Sasa na mayroon din pangit na nakaraan?

Gasgas na at madaling mahulaan ang kwento ng "Babe, I love You" subalit nabigyan ng kulay na mahusay na produksyon at timpla ng direktor. Maganda ang pagkakahatid ng pinagsamang light at heavy drama. May mga tampok na eksena ang mga pangunahing tauhan at epektibo na naihatid ng mga nagsiganap. Maganda ring ideya ang voice over bago matapos ang pelikula kung saan literal na ibinahagi ang mahalagang aral at mensahe. Akma ang pag-iilaw sa mga eksena may kinakailangang bigyan-diin, gayundin ang paglalapat na musika. Bagama't madalas na pa-cute ang dating ng mga close-up shot sa mga bida at medyo eksaherada ang focus ng camera sa magagandang legs ni Anne ay nabawi ito ng magagandang aspetong teknikal ng pelikula.

Binigyan-diin sa pelikulang "Babe, I Love you" na ang hindi magandang nakaraan ay maaaring pagsikapan na mabawi at tuluyang makapagbago kung mabibigyan lamang ng panahon at pagkakataon. Sa ganitong sitwasyon ay malaki ang gampaning papel ng pamilya, mga kaibigan, lipunan, ng tanging minamahal at ng pananalig sa Diyos na nagbibigay ng pag-asa. Mahalaga ang ituon ang pansin sa gustong makamit, alamin ang pangunahin sa buhay at bigyan dignidad ang sarili sa pagtahak sa landas ng tagumpay. Salat sa yaman at limitado sa kaalaman si Sasa, may panahong naging mahina sa kanyang nakaraan, pero nagsikap na iwasto at ituon ang serbisyo sa pamilya sa maayos na paraan. Pagtanggap sa pagkakamali, kapatawaran at pamamayani naman ng pagmamahal ang namagitan kina Nico at kanyang ina. Dito sila kapwa humugot ng lakas upang harapin ang sakit ng paghihiwalay at pagpapalaya sa isa't isa. Pinahalagahan nila ang panahon na ibinigay nila sa kani-kanilang mga sarili at hindi sila nabigo na matuklasan ang magandang idinulot nito sa kanila sa muli nilang pagkikita. Positibo sa mensahe at madamdaming tagpo ang pelikula na kapupulutan ng aral ng mga manonood.

Romeo at Juliet

Cast: Alessandra de Rosi, Victor Basa, Max Eigenmann, Bing Pimentel, Jay Manalo, Rosanna Roce; Director: Adolf Alix, Jr. ; ; Running Time: 90 minutes; Genre: Drama; Location: Manila

Technical Assessment: 3
Moral Assessment: 2.5
Rating: For viewers 18 and above

Si Angel (Alessandra de Rossi) ay namasukan bilang isang high class escort service sa gabi upang matustusan ang sarili sa kanyang pag-aaral sa araw. Makikilala niya si Joseph (Victor Basa), isa ring estudyante na gaya niya at agad itong mabibighani sa kanya. Hindi alam ni Joseph ang lihim na buhay ni Angel sa gabi. Sa gitna ng kanilang umuusbong na pagmamahalan ay ang komplikasyon ng kani-kanilang masasaklap na nakaraan at karanasan sa kani-kanilang mga magulang. Si Angel ay inaabuso noon ng kanyang ama (Jay Manalo), habang si Joseph naman ay pinagmamalupitan ng konserbatibong ina (Bing Pimentel). Ito at ang madilim na lihim ni Angel ang magdadala sa kapahamakan ng kanila sanang pag-iibigan.

Bagamat karaniwan ang kuwento ng Romeo at Juiet, kakaiba pa rin ang dating nito sa pagbibigay ng makabagong koneksyon sa klasikal na nobela ni William Shakespeare. Mahusay ang pagkakatagni ng kuwento na ginamit ang mga kabanata sa nobela upang bigyang kahulugan ang bawat bahagi ng paglalahad sa pelikula. Walang itulak kabigin din ang pag-arte nina de Rossi at Basa, lalo na ang ilang beteranang nagsiganap. Maganda ang kuha ng camera at maayos naman ang pagkakadirehe. May malaking pagkukulang lang ang kuwento sa dahilang hindi gaanong napagigting ang dapat sana'y malalim na pag-iibigan ng dalawang pangunahing tauhan. Hindi masyadong ramdam ang bigat at lalim ng kanilang samahan. Marahil dahil madalas lumihis ang kuwento sa pagmamahalan ng dalawa. Marahil nasobrahan din ang pagpapaliwanag sa ilang bagay na hindi naman sentro ng pelikulla. Tuloy walang gaanong dating ang kinalabasan ng kuwento sa kabuuan.

Bukod sa pagmamahalang mauuwi sa trahedya, mayroong lumulutang na mensahe ang pelikula patungkol sa kinahihinatnan ng isang tao base sa klase ng magulang at pagpapalaki na mayroon siya. Sinasabi nito na malaki ang papel na ginagampanan ng isang magulang sa magiging buhay ng kanilang anak. Sa uri ng pagpapalaki na ito mahuhubog ang kaisipan ng isang bata sa paggawa niya ng mga desisyon sa buhay at ito'y dadalhin niya hanggang sa paglaki. Sa aspetong ito ay may magandang punto ang pelikula dahill pinahahalagahan nito ang papel ng magulang at pamilya sa buhay ng isang tao. Ngunit mayroong kaunting pagmamalabis ang pelikula sa pagpapakita ng maraming eksena na may patungkol sa sekswalidad. Hindi naging malinaw ang tayo ng pelikula ukol sa maraming bagay na bumabagabag sa ating lipunan sa usaping ito. Sa kabuuan, ang pelikula ay maaring mag-iwan ng hindi magandang impluwensiya sa mga batang manonood at tunay naman na maraming maseselan na usapin sa pelikula kagaya ng insesto, pang-aabusong sekswal, pre-marital sex, prostitusyon, pornograpiya, sekswal na dibersyon at marami pang iba. Kaya nararapat lamang ang pelikula sa mga may edad 18 pataas.

I Love You Philip Morris

ASSESSMENT ONLY
Cast: Jim Carrey, Ewan McGregor, Leslie Mann, Rodrigo Santoro; Directors: Glenn Ficarra, John Requa; Producers: Andrew Lazar, Far Shariat; Screenwriters: John Requa, Glenn Ficarra; Music: Nick Urata; Editor: Thomas J. Nordberg; Genre: Drama/ COmedy; Cinematography: Xavier Perez Grobet; Distributor: Cinestar; Location: USA; Running Time: 110 min;

Technical Assessment: 3
Moral Assessment: 2
CINEMA Rating: For mature viewers 18 and above

BRIEF FILM SYNOPSIS

The movie is a true story of Steven Russell (Carrey), a married father whose exploits landed him in the Texas criminal justice system. He fell madly in love with his cellmate (Ewan McGregor), who eventually was set free, which led Russell to escape from Texas prisons four times.

ADDITIONAL REMARKS: Same sex relationship with sexual activities is presented as normal and acceptable; it can be misleading to the youth.

Book of Eli

Cast: Denzel Washington, Gary Oldman, Mila Kunis; Directors: Albert Hughes, Allen Hughes; Producers: Broderick Johnson, Andrew A. Kosove, Joel Silver, David Valdes, Denzel Washington; Screenwriter: Gara Whitta; Music: Atticus Ross, Leopold Ross, Claudia Sarne; Editor: Cindy Mollo; Genre:; Cinematography: Don Burgess; Distributor: Warner Bros. Pictures; Location: USA; Running Time: 118 mins;

Technical Assessment: 3.5
Moral Assessment: 2.5
CINEMA Rating: For viewers 14 and above

The movie takes place in a world of chaos and mayhem 30 years after the apocalypse. Eli (Denzel Washington) has been travelling on foot in search for water source. He is generally peaceful and quiet but has superb combat skills he will not hesitate to use if provoked. He enters a dilapidated town built and run by Carnegie (Gary Oldman), an ambitious gang leader who desires to build more towns if only he can find the only remaining copy of the Bible. Impressed by Eli’s skills, Carnegie decides to have him seduced by his blind concubine’s daughter, only to find out later that he carries the very book he has been searching for. Carnegie then plots to kill Eli and take possession of the only copy of the King James Bible, while Eli, believing that God is on his side, uses all his skills to protect his precious cargo until he is able to properly turn it over.

The movie offers a fresh breath of treatment for an old plot - a peaceful man with a mission who is capable of killing his enemies single handedly if provoked. The production is decent and engaging with an authentic interpretation of a world that survived the worst. One can see semblances of old Western movies and modern action flicks with its staging and cinematography. The script is intriguing but there are several loopholes in the storyline’s logic and Eli’s character. Fortunately, the visual play each scene provides balances its shortcomings. Washington and Oldman play their respective roles convincingly.

The Book of Eli presents a bit of a predicament. On the one hand, it might be possible to excuse the brutality of the film and take this in the context of a chaotic world after the war. On the other hand, one might wish to just look at all the objectionable violence and dismiss the movie's values altogether. The movie may appear to be merely a violent film but if you will take a closer look the movie is interspersed with several religious ideologies. First, there is Eli’s journey to faithfully carry out and complete the mission entrusted to him. Second, amidst a world consumed by chaos and violence, the Word of God seems to be a beacon of hope and change. Third, Eli’s spirituality is almost authentic as he not only carries and protects the Bible but also reads passages daily and has even memorized the entire book. He also prays a lot, frequently quotes and shares passages from the Bible and emphasizes the need to look at the spirit not just the words of the passages. He reveals that he walks by faith and not by sight. However, several scenes have intermittent strong language, violence and sexual innuendos, although not endorsed as a way of life, they will still disturb the sensibilities of most people.

Film might not be appropriate for children younger than 14 and parents are cautioned to guide their teenagers when watching the movie.

Alice in Wonderland

Cast: Mia Wasikowska, Johnny Depp, Helena Bonham-Carter, Anne Hathaway, Allan Rickman; Director: Tim Burton; Producer: Richard Zanuck; Screenwriter: Linda Woolverton; Genre: Fantasy; Distributor: Walt Disney; Location: UK; Running Time: 105 min;

Technical Assessment: 3.5
Moral Assessment: 3
CINEMA Rating: For viewers age 13 and below with parental guidance

Young Alice has been having a recurring dream of going down a dark hole leading to a strange-looking place. When she reaches 19 years old, Alice (Mia Wasikowska) is obliged to accept a public wedding proposal from a suitor whom she has no affection for. So when a white rabbit wearing a waistcoat distracts her, she runs from the crowd to follow the strange creature. In her pursuit of the rabbit, Alice falls into the rabbit hole and finds herself in a place that she has already seen in her dreams, Wonderland. However, it’s no longer the happy place it once was. Alice bumps into Mad Hatter (Johnny Depp) and from him she discovers that her coming has been foretold for she is believed to be the only one who can save the land by slaying the Red Queen’s (Helena Bonham-Carter) huge flying dragon, the Jabberwocky, and restoring power to the White Queen (Anne Hathaway). However, Alice is reluctant for she believes all these are just part of a dream and she would soon wake-up.

This children’s classic by Lewis Carroll is re-lived in this latest and updated version that comes in 3D technology. As expected, Tim Burton’s adaptation is dark yet full of substance. The core message remains faithful to the original although the entire feel is made contemporary and the look borderlines into surreal aesthetics that is Burton’s signature. Audiences are taken into a visual treat this time with live characters and colorful magnificent backdrops. The sound, scoring and cinematography are all in place. The real gem in the film is the performance of its actors. Wasikowska, perfect for her role, does an excellent job playing the grown-up Alice. Her unique charm and combination of cleverness and innocence make her a memorable character. Hathaway’s appearance is comparatively brief but interesting just the same. Depp is as usual fantastic, but Bonham-Carter as the Red Queen with the oversized head dominates every scene she’s in with her

Alice in Wonderland has brought its audience to a place that exists only in one’s wild imagination. The film has shown the power of believing in the impossible. The Red and White Queens clearly represent the battle between good and evil, and this helped bring to the fore the maturing of Alice from adventuresome girl to courageous young woman. She has held dearly the teachings of her parents, except, understandably, when forced to marry somebody she does not love. In this sense, she has come of age, defying authority and unexamined social traditions to use her own mind to do what is right. Alice’s character strongly depicts self-confidence and optimism, traits that are given recognition in the end when she is granted the opportunity to venture into the real world with real characters and real challenges.

Due to the dark depiction and images (i.e., chopped fingers used as potion, smoking cat, animals treated cruelly, etc.) that may not appear wholesome to the very young audience, CINEMA strongly recommends parental guidance for audiences below 13 years old.