Fidel

Cast: Lance Raymundo, Andrea del Rosario, Snooky Serna, Ma. Isabel Lopez; Director: Mark Shandii Bacolod; Screenwriter: Charlotte Dianco; Music: ; Editor: Orlean Joseph Tan; Genre: Drama; Cinematography: Rain Yamson III; Distributor: Piperstorm Pictures and Periwinke Entetertainment; Location: Manila; Running Time: 90 mins.;

Technical Assessment: 2
Moral Assessment: 3
CINEMA Rating: For mature viewers 18 and above

Si Fidel (Lance Raymundo) ay nagpunta ng Dubai upang magtrabaho at makatulong sa pamilya. Ngunit isang araw ay mababalitaang siya ay nakulong dahil napatay niya ang kanyang amo. Ayaw sabihin ni Fidel kung bakit niya pinatay ang kanyang amo. Inamin lamang niya ng agaran ang krimen. Kahit pa pinapayuhan siya ng kanyang abogado na sabihing “self defense” ang nangyari ay hindi niya ginagawa. Nang mabalitaan ito ng kanyang pamilya sa Pilipinas ay hindi sila makapaniwala dahil sa kanilang pagkakakilala dito ay mabuting tao si Fidel at walang kakayahang gumawa ng krimen. Gagawin nila ang lahat upang matulungang mapalaya si Fidel kung kaya’t makakarating ang kuwento ni Fidel kay Vega (Andrea del Rosario), isang reporter na naghahanap ng istorya upang mailigtas ang kanyang programa sa telebisyon na sumasadsad ang ratings. Susubukang imbestigahan ni Vega ang kaso ni Fidel kasabay ng intensiyong tulungan ito. Ngunit sadyang hindi mapagsasalita si Fidel sa tunay na dahilan ng pagpatay niya sa kanyang amo. Ano kaya ang itinatagong lihim ni Fidel?

Hindi karaniwan ang kuwento ng Fidel. Nagsubok itong maghain ng isang kuwentong bihirang pasukin at pag-usapan sa publiko dahil na rin marahil sa pag-iiwas ng karamihan sa kahihiyan. Maganda sana ang kuwentong nais tahakin ng pelikula ngunit pawang napako ito sa iisang punto lamang na hindi naman nagkaroon ng maigting na pagtatapos. Nasayang ang dapat sana’y magandang materyal pampelikula. Naging melodramatiko ang pelikula sa halip na harapin ang mga tunay na problema na kinakaharap ng bida kasabay ng maraming sakit ng lipunan. Marami ding kahinaan sa direksiyon kung kaya’t nasayang ang galing ng mga tauhan. Hindi tumataas ang emosyon maging sa mga eksena na dapat sana’y may matinding tensiyon. Bagkus, walang anumang naramdaman ang manonood sa mga eksenang ito.

Bagama’t isang maselang paksa ang tinalakay ng Fidel, nanatili itong wagas sa hangaring maghatid ng kuwento ukol sa dignidad at pagpahahalaga sa karapatang-pantao. Hindi nagpadala ang pelikula sa tawag ng pang-aabuso ng media na siya mismong nais labanan nito. Ipinakita sa Fidel kung paanong nawawalan ng kapayapaan ang taong gumawa ng krimen. Hindi nito kinukunsinte ang kasalanan bagkus ay ipinakitang ito ay may karampatang parusa. Hindi nga naman maitatama ng mali ang isang pagkakamali. Nang ilagay ni Fidel ang batas sa kanyang mga kamay ay ninais niyang ipaghiganti ang kanyang dignidad ngunit alam din niya ang magiging kanyang kahihinatnan kapag ginawa niya ito. Hindi niya tinakasan ang krimen, sa halip ito ay kanyang hinarap. Yun nga lang ay pawang mas namayani pa rin sa kanya ang kahihiyan sa halip na sabihin ang katotohanan. Sa bandang huli nama’y pinalaya pa rin ang kanyang damdamin sa pagsasabi nito ng katotohanan sa kanyang mga magulang. Mabigat man, ay kinailangan niyang tanggapin ang parusang nakaatang sa kanya. Mahalaga rin ang mensahe ng pelikula ukol sa ginagawang pang-aabuso ng mass media sa mga dapat sana’y tunay na kuwento ng mga totoong tao. Sa madalas na pagkakataon, hindi ang pagtulong sa kapwa ang namamayani sa kanila kundi ang pagpapayabong ng negosyo o posisyon sa trabaho na sa halip na pumanig sa katotohanan ay nagnanais lamang na gamitin at abusuhin ang kuwento upang bumenta lamang ang programa. Ang puntong ito ay maliwanag namang naisaad sa pelikula. Sayang nga lang at ang kabutihang-loob ni Fidel ay hindi naging sapat upang nalagpasan sana niya ng mas maayos ang kanyang kalagayan sa halip na ilagay ang batas sa kanyang mga kamay. Ang sensitibong tema ng pelikula ay nararapat lamang sa mga manonood na nasa wastong gulang.

The Imaginarium of Doctor Parnassus

ASSESSMENT ONLY
Cast: Johnny Depp, Heath Ledger, Jude Law, Lily Cole, Colin Farrell, Christopher Plummer, Tom Waits, Andrew Garfield, Peter Stormare, Verne Troyer; Director: Terry Gilliam; Producers: Amy Gilliam, Terry Gilliam, Samuel Hadida, William Vince; Screenwriters: Terry Gilliam, Charles McKeown; Music: Jeff Danna, Mychael Danna; Editor: Mick Audsley; Genre: Fantasy/Comedy; Cinematography: Nicola Pecorini; Location: London; Running Time: 120 mins;

Technical Assessment: 3.5
Moral Assessment: 2.5
CINEMA Rating: For viewers 14 and above

BRIEF FILM SYNOPSIS

A traveling theater company gives its audience much more than they were expecting.

A fantasy film that follows the leader of a traveling theater troupe who, having made deal with the Devil, takes audience members through a magical mirror to explore their imaginations.

ADDITIONAL REMARKS:

Everyone has to make a choice between good and evil but the choice should be clear.

Old Dogs

ASSESSMENT ONLY
Cast: John Travolta, Robin Williams, Kelly Preston, Seth Green, Matt Dillon, Rita Wilson, Dax Shepard, Bernie Mac, Luis Guzman, Ella Bleu Travolta, Conner Raybun, Lori Loughlin,Justin Long; Director: Walt Becjer; Producers: Andrew Panay, Robert L. Levy, Peter Abrams; Screenwriters: David Diamond, David Weissman; Music: John Debney; Editor: ; Genre: Family Oriented Comedy; Distributor: Walt Disney Studios; Location: Connecticut, USA; Running Time: 88 mins.;

Technical Assessment: 3
Moral Assessment: 3
CINEMA Rating: For viewers age 13 and below with parental guidance

BRIEF FILM SYNOPSIS

Two best friends – one unlucky-in-love divorcee and the other a fun-loving bachelor – have their lives turned upside down when they're charged with the care of 7-year-old twins while on the verge of the biggest business deal of their lives. The not-so-kid-savvy bachelors stumble in their efforts to take care of the twins, leading to one debacle after another, and perhaps to to new-found understanding of what's really important in life.

ADDITIONAL REMARKS: Parenting is a skill to be learned.

Sherlock Holmes

Cast: Robert Downey Jr., Jude Law, Rachel McAdams, Mark Strong, Eddie Marsan; Director: Guy Ritchie; Producers: Susan Downey, Dan Lin, Joel Silver, Lionel Wigram; Screenwriters: Michael Robert Johnson, Anthony Peckham; Music: Hans Zimmer; Editor: James Herbert; Genre: Action/ Adventure/ Crime; Cinematography: Philippe Rousselot; Distributor: 20th Century Fox; Location: UK; Running Time: 128 mins;

Technical Assessment: 3.5
Moral Assessment: 3
CINEMA Rating: For viewers 14 and above

Before the fiendish Lord Blackwell (Mark Strong) can claim his sixth victim in a satanistic rite, master sleuth Sherlock Holmes (Robert Downey Jr.) and his sidekick Dr. Watson (Jude Law) burst into the scene and put the situation under control before the police arrive. Lord Blackwell is sent to the gallows but before the serial killer is hanged he prophesies that the murders will continue even after his execution. He is buried in a sealed tomb but in time is seemingly resurrected, beginning an exhilarating chase where clues are hunted and mysteries unraveled. As Blackwood predicted, the chaos and the mayhem continue, giving fresh challenges to Holmes and Watson. Things take a mystifying turn as Blackwell is discovered to be a member of a magic society.

A creation of author Sir Arthur Conan Doyle (1859-1930), Sherlock Holmes is probably the best known detective in English (if not world) literature. The character has captivated readers so that it has been incarnated and reincarnated on film a countless number of times by a roster of actors that includes Charlton Heston, Roger Moore and Leonard Nimoy, “types” so different from one another. Now given new life and almost superhero status through the direction of Guy Ritchie, Robert Downey Jr.’s Sherlock Holmes may yet appeal to current audiences, whether or not they have encountered Holmes in Conan Doyle’s 56 short stories and four novels starring the character. When not sleuthing, Holmes is a boorish, arrogant know-it-all, unbearably self-absorbed and yet quite sympathetic. Such traits are apparent in Downey’s brilliant performance which is even given added fire by Law’s Watson. Their timing and chemistry make their action sequences thrilling and their bickering very amusing.

Detective movies are hardly material for discussions on morality or ethics, since audiences watch them for their suspense and brain-wracking value. They know that there are bad guys who must be punished in the end but fans are more interested in finding out who did what and how—how investigations are conducted, how mysteries are unraveled, and if their own calculations are validated in the conclusion. Detective movies challenge their fans to be vicarious detectives themselves, and Sherlock Holmes affords them that one pleasure. If you are looking for a whodunit with a witty script, a whiff of comedy and loads of action, Sherlock Holmes is it.

Rebound

Cast: Catherine Zeta-Jones, Justine Bartha; Director: Bart Freundlich; Producers: ; Screenwriters: Bart Freundlich; Producer Bart Freundlich, Mark Gill, Robert Katz, Tim Perell; Music: Clint Mansell; Genre: Drama / Romantic Comedy; Distributor: ; Location: New York, USA; Running Time: 96 mins.;

Technical Assessment: 3
Moral Assessment: 2
CINEMA Rating: For mature viewers 18 and above

Sandy (Catherine Zeta-Jones), has turned 40, separated from her husband and looking for a new job in a new city and trying to get over the pains and heartaches. She rents an apartment above a popular coffee shop with her two children. Aram Finklestein (Justine Bartha), a 25 year old college graduate, also recently divorced and unsure of what to do with his life, decides to work in the coffee shop, wasting his time with dead end jobs until something exciting comes up. Luck has it for Sandy as Aram turns out to be a superb nanny for her two children, allowing her to explore and improve her career and personal life. Aram becomes close to Sandy’s children and eventually to her as well. Conflicts and arguments arise when age and personality differences come in the way. Will this May-December affair have a happy ending after all?

The movie Rebound tickles the heart and appeals to young ones in love as well as young once in a matured love. The story, although not entirely original, develops effectively. The acting is believable and impressive while Zeta-Jones and Barth’s chemistry, although falling short at times, is still authentic. There were issues that could have been explored more to give the movie a new flavor and depth. For instance, while they touch the question of age differences, the subject is never really explored. Technical aspects of the film are well crafted, clean and respectable. Direction is almost brilliant with great visualization of a good nanny and subtle and witty interpretation of the comical romantic scenes. Overall, the movie is quite an enjoyable entertainment.

There are several unacceptable themes within the story. One, the premarital sexual relationship between employer and employee is both inappropriate and immoral. Some would also find imprudent that the movie treats as a joke the scene where Sandy’s children witness the sexual act. On the other hand, REBOUND offers a quick peek at authentic human emotions. Friendship is illustrated when Aram becomes attached to the children and remains friends with Sandy even after five years of separation. True love is exemplified when 15 years in between and the physical distance within five years are not enough reasons to douse each other’s feelings for each other. REBOUND, sans the novelty of a May-December love story, provides a good insight on human relationships. However, because of some problematic themes and situations, the movie is better suited for the mature adult audience.