Harry Potter and the Half-Blood Prince

Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Michael Gambon, Alan Rickman; Director: David Yates; Producers: David Barron, David Heyman; Screenwriters: Steve Kloves, J.K. Rowling; Music: Nicholas Hooper; Editor: Mark Day; Genre: Fantasy Adventure; Cinematography: Bruno Delbonnnel; Distributor: Warner Bros. Pictures; Location: Bjorli, Norway; Running Time: 153 min.;

Technical Assessment: 3.5
Moral Assessment: 3
CINEMA Rating: For viewers 14 and above

The movie opens with the Death Eaters attacking London while Dumbledore (Michael Gambon) takes Harry (Daniel Radcliffe) to befriend and unlock the memory of former Hogworts potions professor, Horace Slughorn (Jim Broadbent) who once taught Tom Riddle—the young Lord Voldemort. Meanwhile, Harry’s nemesis Draco Malfoy and Defense Against the Dark Arts Teacher Severus Snape (Alan Rickman) have joined the Death Eaters. All the while, Harry is picking up magical tips from a mysterious character known as the Half-Blood Prince—a previous owner of the used Potions textbook Harry is now using. However, Harry and friends face a bigger challenge than the return of Lord Voldemort—raging adolescent hormones and teenage romance. Harry falls in love with Ginny Weasley (Bonni Wright) who unfortunately is already dating someone else and Hermoine (Emma Watson) is seething with jealousy when Lavander Brown decided Ron Weasley (Rupert Grint) is the one for her.

HARRY POTTER AND THE HALF-BLOOD PRINCE looks like a conduit to the climax to the whole Harry Potter series so in reality the movie does not really reach a climax. The battle scenes and love stories at times struggle for dominance and the movie could have benefited if the director made a clear choice are fantastic and breathtaking. This combined with great performances from the actors who have matured before the world makes the movie memorable and worthwhile.

While the violence, witchcraft and darkness are more subtle, parents are strongly advised to accompany their very young children when watching. Although the movie has several efforts to moralize—for instance, the code of honors of good witches, as well as values taught to Hogwart students—these values are only applied to up to a certain problem faced by the characters. Case in point, honesty is emphasized but in certain occasions stealing is tolerated.

The most powerful theme in the story is “fitting in”. Most characters crave for a sense of being part of a group and being accepted as himself. Take the Professor Snape and Draco Malfoy who joined Voldermort because of their innate desire to be accepted. Even Harry, who lost his parents and was raised by an unloving family, found confidence and strength in his friends at Gryffindor. The real magic of Harry Pottter lies not in the supernatural power or spells or potions but in finding a home for the heart where friendships and love are able to grow.

Hanna Montana; The Movie

ASSESSMENT ONLY
Cast: Cyrus, Billy Ray Cyrus, Jason Earles, Emily Osment; Director: Peter Chelsom; Producers: Alfred Gough, Miles Millar; Screenwriter: Daniel Berendsen; Music: John Debney; Genre: Musical Performing Arts; Distributor: Walt Disney Pictures; Location: USA; Running Time: 102 min.;

Technical Assessment: 3.5
Moral Assessment: 4
CINEMA Rating: For viewers of all ages

BRIEF FILM SYNOPSIS

Peter Chelsom directs teen superstar Miley Cyrus in this feature that brings the popular Disney Channel character Hannah Montana to the big screen. With a crazy double life in California as an everyday teen with the secret pop-star persona Hannah Montana, Miley Stewart (Cyrus) has forgotten who she really is. To get her back on track, Miley's dad, Robby Ray Stewart (Miley's real-life father, Billy Ray Cyrus), decides that she needs time back on the family farm in Tennessee to celebrate Grandma Ruby's (Margo Martindale) birthday. At first, Miley is belligerent, but with the help of Travis (Lucas Till), a former childhood crush who now works for Grandma Ruby as a farmhand, she begins to realize what is really important to her. Cyrus is famous for her girl-next-door personality, easy smile, and mugging for the camera, which abounds in this film. The coming-of-age tale also delves into the trials and tribulations of growing up and dealing with your first love, which made all the more complicated by her secret superstar life. Till's Travis is sure to make every teenage girl want her own well-mannered cowboy. Vanessa Williams appears as Miley/Hannah's pushy publicist and Peter Gunn is a sneaky English journalist intent on getting some dirt on Hannah. Jason Earles and Emily Osment reprise their television roles as Miley's brother, Jackson, and her best friend, Lilly. Country music fans will enjoy performances from Taylor Swift, Rascal Flatts, and Billy Ray Cyrus himself. The film also includes 12 new songs from Miley/Hannah. (www.rottentomatoes.com)

OUTSTANDING FEATURES OF THE FILM: Realistic presentation of stardom complex that can destroy a person's life unless there is intervention, in this case, from the father of the teenage star.

ADDITIONAL REMARKS: Commendable material for discussion among teenagers who can be easily carried as “fans” of popular actors/singers.

Bente

Cast: Jinggoy Estrada, Richard Gomez, Iza Calzado, Ryan Eigenmann, Alfred Gatchialian, Glaiza de Castro, Snooky Serna, Emilio Garcia; Director: Mel Chionglo; Producer: APT Productions; Screenwriter: Ricky Lee; Location: Manila; Running Time: 100 min.;

Technical Assessment: 3
Moral Assessment: 2.5
CINEMA Rating: For viewers 14 and above

Si Arnie (Jinggoy Estrada) ay isang batikang komentarista sa radyo na laging pinupunterya ng batikos ang Mayor (Emilio Garcia) na dati niyang kababata. Dahil dito, ipinag-utos ng Mayor na bantayan ang bawat kilos ni Arnie at inatasan niya ang mga tauhan niyang sina Ramon (Richard Gomez) at Caloy (Ryan Eigenmann) na gawin ito. Ngunit si Ramon ay may matinding pinagdaraanan – duda siyang may ibang lalaki ang kanyang asawa (Iza Calzado) at nais niyang malaman kung tama ang kanyang kutob. Habang sinusundan nila si Arnie ay mamatyagan din niya ang kanyang asawa. Sa kabilang dako naman ay sinusundan ng ibang grupo ang isang student leader na aktibista (Alfred Gatchialian) na malapit nang malaman ang susi sa pagkawala ng ilang aktibista at saksi sa anomalya. Higit na magpapalala pa sa kanyang sitwasyon ay pagbubuntis ng kanyang nobya (Glaiza de Castro) ngayong nakakatanggap siya ng maraming banta sa kanyang buhay. Paano nga ba mabubuhay ng payapa at tahimik sa isang lipunang kayang matyagan ng ibang tao ang bawat mong kilos at galaw?

Isang mapangahas na pelikula ang Bente. Tumatalakay ito ng isang matinding isyung panlipunan: ang kawalang hustisya sa pagkawala at pagkamatay ng mga taong kumakalaban sa gobyerno at ipinaglalaban ang katarungan at karapatan ng mahihina sa lipunan. Sa kabila ng maraming tauhan, nagawa ng pelikulang paigtingin ang mensahe nito ukol sa lumalalang karahasan. Mahusay ang pagkakasulat at ang direksyon. Maging ang pag-arte ng mga tauhan ay tamang-tama rin. Sayang nga lang at maraming bagay ang hindi malinaw sa kuwento, gaya ng kanino ba talaga ang kabuuan ng istorya? At sa bandang huli’y hindi malaman kung ano na nga ba ang patutunguhan ng isang lipunang namamayani ang kawalang-katarungan? Wala ring malinaw na solusyon na inihain at pawang naubos ang oras ng pelikula sa napakahabang habulan na maari namang mapaikli at nagdagdag pa sana ng mas maliwanag na resolusyon. Resulta tuloy ay walang masyadong bigat ng damdamin na mararamdaman ang manonood na siya na sanang magpapasiklab at gigising sa natutulog sa diwa at kamalayan para sa bayan.

Bente pesos na nga lang ba ang halaga ng buhay ng tao ngayon? Ito ang mensaheng nais iparating ng pelikula. Gaano pa nga ba kahalaga ang buhay ng isang tao at saan at paano nga ba ito nasusukat? Wala sa haba ng buhay kundi sa kung paano ka nabuhay at kung paano mo ipinaglaban ang iyong mga prinsipyo. Hindi kailanman magiging tama ang karahasan at hindi rin ito ang solusyon sa anumang problema, maging sa pamilya man o panlipunan. Ito ang nais iparating ng kabuuan ng pelikula. Ang nabubuhay sa bala ay sa bala rin mamamatay. Nakakabahala nga lang na wala ng kapayapaan ang buhay ng mga tao ngayon at ang kalayaan sa pamamahayag ay lagi na lamang may kaakibat na panganib. Yun nga lang, pawang hindi napahalagahan sa pelikula ang buhay ispritwal kahit pa hindi naman lingid sa kaalaman ng karamihan kung gaano katindi ang suporta ng simbahan sa mga usapin ng lipunan tulad ng kawalang katarungan at karahasan. Nakababahala rin kung paanong naging katanggap-tanggap na ang pagbubuntis sa labas ng kasal. Sa aspetong ito, dapat gabayan ang mga batang manonood. Ang pakikiapid naman ay inilagay sa konteksto ng karahasan kung kaya’t maliwanag na hindi ito kinukunsinte. Sadyang wala lang mapuntahan ang karakter na nakiapid at hindi siya basta makatakas sa kanyang sitwasyon. Sa huli nama’y walang nananalo sa karahasan at kasamaan.

The Haunted; The Deaths of Ian Stone

Cast: Mike Vogel, Christina Cole, Michael Dixon, Jaime Murray, Jeff Peterson; Director: Dario Piana; Producers: Steve Christian, Brian Gilbert, Brendan Hood; Screenwriter: Brendan Hood; Music: Elia Cmiral; Editor: Celia Haining; Genre: Horror-Suspense; Cinematography: Stefano Morcaldo; Distributor: Cinestar; Location: Britain; Running Time: 87 min.;

Technical Assessment: 2.5
Moral Assessment: 2.5
CINEMA Rating: For viewers 14 and above

Ian Stone (Mike Vogel) is an American ice hockey player living in Britain hopelessly in love with his girlfriend Jenny (Christina Cole). Driving home one night, he is mercilessly attacked by a corpse only to wake up the next morning as an executive missing his deadline. He is involved with Medea (Jaime Murray) but Jenny, along with some familiar faces is seen in the office. Later on, he is warned by an old man who tells him he is being hunted by the Harvesters, vampire-like creatures who feed on fear, who come after him whenever the clock stops. However, Ian does not stay dead and usual wakes up with a new life in a new place, only for the Harvesters to chase and kill him again. Again attacked by a Harvester Ian runs home to Medea only to be stabbed in the stomach. He wakes up in another person’s life but this time Jenny and the Harvesters link him to the truth. He discovers the truth behind his identity and a force more powerful than fear and pain.

The Haunted, originally titled The Deaths of Ian Stone does not deliver the usual screams, and creeps of a horror film but director Piana knows how to intensify the tension of Hood’s intriguing script. The performances from Vogel and Murray are decent and the special effects are acceptable. However, the production design is a spin off from the Matrix and Blade while the lighting is too bleak for one to appreciate what is happening in the scenes. While the concept is creative and unique, the filmmakers fail to translate it cinematically.

There is no greater or stronger force in this world than genuine love. Love brings conversion and melts even the toughest heart so as to learn compassion and sympathy. Love conquers hatred and discrepancies. Love bridges distance and close gaps. A person in love will overlook physical and social differences of color, race, creed or social standing. Love brings out the best in people because real love is selfless and willing to sacrifice for the sake of what is good and true. Love triumphs over fear, pain and death. Someone who is truly in love will exude goodness and benevolence.

The movie poetically teaches us about love and how one who discovers this will overcome all other obstacles to truth and goodness.

However, because of the gruesome scenes of Ian Stone’s death, very young children may be traumatized or disturbed. It is advisable that mature viewers accompany their children when watching the movie.

Ice Age 3; Dawn of the Dinosaur

Cast: Romano, John Leguizamo, Denis Leary, Simon Pegg, Sean William Scott, Josh Peck, Queen Latifah; Director: Carlos Saldhana; Producer: Lori Forte John Donkin; Screenwriters: Michael Berg Peter Ackerman, Yoni Brenner; Music: John Powell; Genre: Animation/ Sci-Fi Adventure; Distributor: 20th Century Fox; Location: Pre-Historic Times; Running Time: 87 min.;

Technical Assessment: 3.5
Moral Assessment: 3
CINEMA Rating: For viewers of all ages

Ice Age 3 opens with the usually gentle-mannered Manny (Ray Romano) now a nervous wreck because Ellie (Queen Latifah) is due to give birth anytime. Eventually, Sid (John Leguizamo) turns from delighted to devastate as he realizes he will soon become an outcast to the mammoth family. Meanwhile Diego (Dennis Leary) thinks he has lost his prowess as a hunter when he fails to capture a gazelle he has been stalking and decides to leave his herd. But before he is able to do so, Sid falls into an ice crack and discovers three eggs he believes were abandoned. Despite warning from Manny, Sid decides to adopt the eggs and soon they hatch with 3 baby T-Rexes. Oblivious to what they are, Sid happily ignores his friends warnings and raises his 3 new babies until the angry mommy T-Rex shows up and takes her 3 missing infants and Sin into a hole in the ice. Now Manny and Diego, with a very pregnant Ellie and the usually mischievous possum brothers and the help of their new friend Buck, a one eyed underground living weasel, must rescue Sid in a land beneath the ice where an entire world of dinosaurs have survived.

This 3rd installment of the sub-zero animation comes with a strong storyline and clever script. The CGIs are amazing as audience is treated to a majestic visual depth of 3D animation. The action sequences are exciting both for the intended viewers and their adult companions. The cast obviously has already found their comfort zones and interacts with each other well. And as always, the quirky saber-toothed squirrel Scrat steals the scenes whenever he appears. The movie is well-paced and enjoyable.

In between Sid’s mushiness, Manny’s one-note laggardness are wholesome life-lessons about family and friendship being more important above all. Just like the first 2 films, Ice Age 3 emphasizes the importance of learning to go past ones differences and get along to live in harmony. Being one family and community necessitates going past our personal agendas and individual desires. Instead it calls for us to focus on protecting the interest of each other at all costs.

The plot is straightforward and simple enough for the children to follow although some jokes are better suited to an older audience, the film still delivers a lovely entertaining 97 minutes for the entire family.