Tuesday, February 7, 2017

Why him?

DIRECTOR:  John Hamburg  LEAD CAST:  James Franco, Bryan Cranston, Zoey Deutch, Megan Mullally, Griffin Gluck & Keegan-Michael Key  SCREENWRITER: John Hamburg & Ian Helfer  PRODUCER: Stuart Cornfeld, Dan Levine, Shawn Levy & Ben Stiller  EDITOR: William Kerr  MUSICAL DIRECTOR: Theodore Shapiro  GENRE: Romantic Comedy  CINEMATOGRAPHER: Kris Kachikis  DISTRIBUTOR: 20th Century Fox  LOCATION: USA  RUNNING TIME: 112 minutes
Technical assessment:  3.5
Moral assessment:  2:5
CINEMA rating:  V18
MTRCB rating:  PG 13
Greeting her dad by webcam during his birthday party, Stephanie (Zoey Deutch) is put in the hot seat by the premature arrival at her pad of her devil-may-care boyfriend Laird Mayhew (James Franco) who wiggles his behind in front of the camera.  Most shocked of all are her conservative, mid-Western, middle class parents  who only then get to know that their Stanford-educated daughter is already in a relationship.  The embarrassment over, Stephanie invites her whole family—dad Ned (Bryan Cranston), mom Barb (Megan Mullally) and 15-year old brother Scotty (Griffin Gluck) to spend the Christmas holidays at Laird’s mansion, with the intention of letting them come to know her weird boyfriend better.  Oil and water meet, and the Mayhew mansion turns into mayhem.
The production sets are in keeping with the characters they represent, particularly the Southern California mansion that’s like a cross between an ostentatious nouveau riche palace and a Google estate.  Why him? reminds one of Meet the Parents, a Robert de Niro comedy where old school meets new age and round pegs are stuck into square holes.  One can say Why him? is a formulaic movie although it has its own charm owing to the new combination of characters and the gags that rise from different circumstances.  Hamburg and Helfer’s story is plausible and could happen to anyone in America-the-land-of-the-free: the romance plot is given tension by the conflict between a prospective father-in-law who runs a printing company that’s nearing bankruptcy, and his daughter’s over-hopeful beau made a new billionaire by his computer games business.
Any parent would understand Ned’s disgust of the aspiring son-in-law who besides being foul-mouthed is as libidinous as a goat in the mating season.  To strengthen the message of Why him? Laird, the character in question, is made exaggeratedly boorish, unfiltered, and devoid of good manners.  But to Stephanie, he is refreshingly honest, guileless, good-natured, and loves her truly, and therefore must be given a chance.  For CINEMA to say that this is a totally objectionable film is to be guilty of the very crime Why him? is fighting against: judging a book by its cover.  The foul language, potty humor, raunchy jokes, et al, stand for the cover; and the book’s pages are the values it promotes—family, commitment in a relationship, deference to elders in matters that truly count.  (Laird is a product of a drunken one-night-stand, grew up without ever meeting or knowing his father, and the one thing he desires most is to belong in a family.  While he seriously wants to marry Stephanie, he would not do so without the blessing of her father).  So, why not him?