Monday, February 1, 2016

Legend

--> Direction: Brian Helgeland;  Cast: Tom Hardy, Emily Browning, David Thewlis, Taron Egerton, Christopher Eccleston, Paul Bettany, Chazz Palminteri; Screenplay: Brian Helgeland; Based on The Profession of Violence by John Pearson; Cinematography: Dick Pope; Editing:  Peter McNulty; Producer: Tim Bevan, Eric Fellner, Chris Clark, etc.; Music: Carter Burwell; Genre: Crime; Distributor: Universal Pictures; Location: United Kingdom Running Time: 131 minutes.
Technical assessment: 3
Moral assessment: 2.5
Rating: V18
In the 1960s, Frances (Browning) tells the story of twin brothers Reggie (Hardy), her husband, and Ronnie (Hardy) Kray as they lord over the criminal underground world of London. Suave former boxer Reggie and psychotically unstable Ronnie muscle-in on the control of a local club through brutality and blackmail. Their kingdom expands when an American syndicate approaches them for protection in exchange for half profits of London’s underground gambling profits. However, Ronnie psychotic violence continues to cause problems with the authorities subjecting them to an investigation and eventually their arrest. The story is narrated between the tragic love, abuse and suicide of Frances as she stands witness to the rise and fall of the Krays.
There is always an enthralling quality in crime films done particularly well. From a purely technically stand, Legend has a charm that captivates audiences mainly because of Tom Hardy’s impeccable interpretation of Reggie and Ronnie. He methodically manages to keep the personalities defined and balanced with so much chemistry. The script is funny and engaging and the presentation is grippingly entertaining. Pope and Hegeland perfect photography of Hardy’s dual performance easily makes audience forget that they are watching only one person. Browning is a little disappointing because her delivery lacks depth in its omnipresence.
The lines of morality are often blurred for people who misinterpret crassness and vulgarity with candor and being real. There is guilty pleasure over the smooth moves of criminality and nervous laughter with outrageous behavior.   With such propositions, the audience of the film should be equipped with a strong moral sense and Gospel-shaped conscience and realize that while some people may escape punishment or enjoy the shortlived benefits of criminality, it is never worth it because the misery, pain and punishment it brings will always outweigh whatever pleasure it gives.  The film is for mature adults because of mature themes and several disgustingly violent scenes.