Saturday, July 12, 2014

Chef


DIRECTOR:  Jon Favreau  LEAD CAST:  Jon Favreau, Sofia Vergara, John Leguizamo, Scarlett Johansson, Oliver Platt, Bobby Cannavale, Dustin Hoffman, Robert Downey, Jr.  SCREENWRITER:  Jon Favreau  PRODUCER:  Jon Favreau, Karen Gilchrist, Sergei Bespalov  EDITOR:  Robert Leighton  Production Company:  Aldamisa Entertainment  GENRE:  Comedy  CINEMATOGRAPHER:  Kramer Morgenthau   DISTRIBUTOR:  Open Road Films  LOCATION:  United States RUNNING TIME:  114 minutes
Technical assessment:  4;  Moral assessment:  3.5;  MRCB rating: R13  CINEMA rating:  V 14

Miami born chef Carl Casper’s (Jon Favreau) creativity in the kitchen is squelched by his boss, Los Angeles restaurant owner Riva (Dustin Hoffman), who threatens to fire Casper if he serves anything other than the old favorites that the clientele come back for again and again and again. This tug of war results in a scathing review by food blogger-critic Ramsey Michel (Oliver Platt) and then in a head-on collision with Riva who stubbornly refuses to give Casper’s fresh cuisine a try, the chef quits cold turkey—but not before he gives Michel a dressing down in Riva’s very own restaurant. The drama surrounding Casper’s dogged refusal to compromise his creative freedom and his public humiliation of the food critic go viral on social media, making him a celebrity of sorts.  Jobless and angry, Casper agrees to go with his ex-wife Inez (Sofia Vergara), who invites him to take the opportunity to bond with their young son Percy (Emjay Anthony).  Miami proves to be a surprising chapter in Casper’s life.
Favreau does a great job of directing, writing, producing AND starring in this movie, no doubt a pet recipe that’s spiced up by big names—Hoffman and good friends from Iron Man sequels Favreau has directed Downy Jr. and Johansson.  With the made-to-measure cast, audiences will find it easy to empathize with the characters. Action is tight and fast paced, complemented by lilting Cubano music and mouthwatering footage of food tasting, shopping, preparation, and presentation.  As the closing credits roll, Favreau is shown being mentored by chef Roy Choi on how to make the perfect grilled cheese sandwich, brown and crisp and with layer upon layer of different cheeses peeping out between the bread slices.  Yummy!
Chef is billed as a comedy—but was it really made to make people laugh?  More like a cooking dramedy movie, it’s a lighthearted treatment of serious subjects—passion in one’s lifework, social media ethics, the many faceted relationships in and branching out of the family.  With female actors as sultry as Sofia Vergara (a hybrid between Sofia Loren and Eva Mendez) and Scarlet Johansson (voted 2014 Sexiest Woman in the World) we half expected some steamy scenes inserted into the movie but to our delight none came.  In that department it is actually wholesome; the foul language issues from the mouth of irate male characters.  Social media is shown as an implement that can both destroy and build, given this age’s predilection for scandal and sensationalism.  As an afterthought, though, we wonder whether Chef used Twitter or Twitter used Chef.  The story developed with Twitter as its compass.  If it had been set in a pre-internet era, would the satisfying conclusion come that quickly?