Saturday, June 11, 2011

Hangover 2


Cast: Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha, Ken Jeong, Paul Giamatti, Mike Tyson, Jeffrey Tambor, Mason Lee, Jamie Chung, Sasha Barrese, Gillian Vigman, Aroon Seeboonruang, Nirut Sirichanya, Yasmin Lee, Nick Cassavetes, Sondra Currie  Writers: Todd Phillips, Craig Mazin, Scot Armstrong  Director: Todd Phillips  Running Time: 102 minutes  Distributor: Warner Bros.

Technical:  3
Moral Assessment:  1.5
CINEMA rating:  R18  (For viewers aged 18 and above)

Phil  (Bradley Cooper), Alan (Zach Galifianakis) and Stu (Ed Helmes) wake up in a seedy hotel room in Thailand with no memory of the previous night.  What’s worse, they are missing their fourth companion, 16-year-old Teddy (Mason Lee), but find Teddy’s finger sitting in a bowl of ice.  A monkey drops from the ceiling and another person wakes up, but everyone remains clueless about how they all came to be where they are.  What they all know is they must all make it to Stu’s wedding pretty Thai girl Lauren (Jamie chung)—which is the reason they have flown to Thailand in the first place—but how can they appear at the wedding without Teddy, Stu’s future brother in law?  So they embark on a mad search for the missing teenager, encountering gangsters and other gun-toting characters along the way.

Let’s talk about the plot.  If you’ve seen Hangover 1 (2009) you’ll have a fair idea of what to expect from Hangover 2.   Same cake, fluffier, fattier icing.  We resonate with a web reviewer who writes, “Director Todd Phillips seems to have taken the Hangover screenplay and moved it laterally from Las Vegas to Bangkok while retaining the same sequence of scenes: Call to bewildered bride to be, flashback to wedding plans, ill-advised bachelor party, four friends waking up with terminal hangovers in unfamiliar hotel room, ominous signs of debauchery, desperate quest to discover what happened, etc.”  If you were not offended by Hangover 1, you’ll enjoy Hangover 2 as it presents more of the same ingredients rejected by those who found the movie offensive.  But that’s not an absolute—middle of the roaders who saw some redeeming factors in Hangover 1 and therefore laughed along with its raucous humor might, just might, think that Hangover 2 has gone way over the top.  But even if you have not seen Hangover 1, you can either thumbs-up or thumbs-down this one as there’s a story all right, and a screenplay that’s easy to follow. 

If you had a stake in producing Hangover 1, what could possibly motivate you to invest in Hangover 2?  Clue: the 2009 version grossed $485 million, the highest grosser of the year in R-rated comedy.  Its production budget was $30 million.  Those guys must have thought, “If audiences lapped up Hangover 1, why not give them more of the same?”  So they plunked down $35 million on the sequel—do you hear the clinking of the cash registers in the background?  You’re not wrong.  Money is never a mean motivator.  We wonder, though, how this movie will register among Thai viewers—it shows the side of Bangkok that their tourist brochures would probably never even mention.  Hangover 2 is definitely not for impressionable or immature viewers, whatever their age.  In fact, actor Galifianakis (who plays the Alan character), when swamped by children-fans for his Hangover role, reportedly yelled at their parents for letting them see it.  We hope it was a sincere gesture, but then, again, in this gimmick-moved world, that could have been another ploy to get more xxx-hungry adults to go see it.   



Monday, June 6, 2011

X-men: First Class

Lead cast: James McAvoy, Michael Fassbender, Kevin Bacon, Rose Byrne, Jennifer Lawrence, Oliver Platt, Álex González, Jason Flemyng, Zoë Kravitz, January Jones, Nicholas Hoult, Caleb Landry Jones, Edi Gathegi, Lucas Till, Demetri Goritsas, Glenn Morshower, Matt Craven, James Remar, Rade Serbedzija, Ray Wise, Michael Ironside, Bill Milner, Morgan Lily, Laurence Belcher, Hugh Jackman. Director: Matthew Vaughn. Screenplay: Ashley Edward Miller, Zack Stentz, Jane Goldman, Matthew Vaughn, based on a story by Sheldon Turner, Bryan Singer. Cinematography: John Mathieson. Music: Henry Jackman. Distributor: 20th Century Fox. Running Time: 132 minutes.

Technical Assessment: 3.5
Moral Assessment: 2.5
CINEMA Rating: V-14 (Viewers 14 years old and above
)

1944, in a concentration camp established by the Nazis on occupied Polish soil, Erik Lensherr, a boy with metal bending ability witnesses the murder of his mother. Nearly two decades later the boy is to become Magneto (Michael Fassbender), and to team up with professor and CIA advisor Charles Xavier (James McAvoy) who is to be known as Professor X. Agent Moira Mac Taggert (Rose Byrne) gives them the task of assembling a collection of mutants to halt the machinations of an ex-Nazi madman, Sebastian Shaw (Kevin Bacon) and his superhuman cohorts. A clash of ideals develops between Charles and Erik: Charles believes peace for men and mutants would be attained once the evil Shaw is done away with; Erik believes in the inevitability of violence and a global war. Erik’s motive for joining the war against Shaw is personal: it was Shaw who killed his mother.


X-Men: First Class is an origin story that charts the epic beginning of the X-man saga—what the mutants were before they became superheroes. It can be uplifting to watch superheroes battling with megalomaniacs out to destroy the planet, and it could be pure entertainment seeing the young mutants gather and display their hidden powers to one another, like kindergarteners at a show-and-tell assignment. However, it is rather ambitious of X-men: First Class to interweave real-life history (Nazi in World War II, Cuba showdown in early 60s, etc.) and Marvel comics super-action since the result presents too many elements that only serve to compete against one another for audience focus. The actors embody the characters well enough, although again, perhaps the story could have been more pointed and cohesive with fewer mutants showing off their powers. For example, the character sprouting dragonfly wings is cute to watch but has doubtful essential value in the plot. Same with the guy with oversized feet. As it is, the movie is almost a supermarket of superpowers which distracts the viewer from the real message of the story which is actually meaty.

One lesson worth remembering amidst all that jaw-dropping, eye-popping CGI effects is the need for controlling one’s anger. Whether you’re a man or a mutant, it’s never cool to be controlled by one’s anger. For that and the abovementioned technical superiority as far as effects are concerned, it is certainly worth seeing X-men: First Class.

Friday, June 3, 2011

Paul


CAST: Simon Pegg, Nick Frost, Kristen Wigg, Bill Hader, Jane Lynch, Jason Bateman, Seth Rogen, Sigourney Weaver; DIRECTOR: Greg Mottola; WRITERS: Simon Pegg, Nick Frost; GENRE: Comedy; RUNNING TIME: 100 minutes.

Technical Assessment: 2.5
Moral Assessment: 2
CINEMA Rating:  For mature viewers 18 years and above.



Make no mistake about it: Paul  is no harmless cartoon for kids.  The language alone can make the proverbial sailor blush, as the alien Paul tells a character, “Cursing is fun; you just have to pick your moments!”  The word “f - - k” is used 50 times, “s - - t” 40 times, and so many other terms you would never want to hear coming out of your children’s mouth.   On top of that the alien Paul smokes marijuana and spurs others to do the same; he’s a beer guzzle and a reckless driver; pushes others to steal to satisfy his whim, pokes fun at Bible-toting Christians, and has a yen for making obscene gestures.   CINEMA came across a crisp and incisive critique of the movie by Plugged In Online which we respectfully excerpt and pass on to our readers.     
Paul tells us that advanced civilizations have outgrown the concept of God—at least a Christian God. But here's what I find most interesting about its point of view: In attempting to strip away one religion, we've been given another.

“The popularity of aliens and UFOs in pop culture has been attributed, by some, to folks trying to replace traditional faith with a more scientific form of religion, complete with rewards (knowledge), punishments (probes!) and awe-struck wonder. Consider Paul—his characteristics, not his character: He's a being from another place, a creature filled with unimaginable knowledge and incredible power. He heals the sick, he raises the dead, he helps the blind to see. He holds (the film suggests) the promise of a better world—one full of peace and love and community, free from strife and sin.

“And yet Paul does not appear to everyone. Indeed, he reveals himself only to a select few … disciples. And those to whom he shows himself are often mocked, even persecuted sometimes.

“We meet a woman to whom Paul revealed himself 60 years prior. Now old, she's angry with Paul at first, telling him how the neighbor kids would make fun of her, throw rocks at her window. They would not believe her and her "alien" stories, and in time she had perhaps begun to doubt her own memories. But then she softens. Seeing Paul now, face-to-face, everything's fine again. Her faith—following an unseen, unfelt visitor—is validated.

“If you haven't connected the dots yet, what I'm getting at is Paul's status as a deity. But what a slovenly deity he is: Little more than a "greater" being who, when he gives his friends the sum of all his knowledge, doesn't change them a whit; an advanced entity less concerned with mankind's betterment than with the pot he's carrying and the partying he's planning.”
If you’re looking for laughs plus, there’s Kung Fu Panda; for adventure, there’s Pirates of the Carribean:  Stranger Tides. 

Kung Fu Panda 2


CAST: Angelina Jolie, Seth Rogen, Gary Oldman, David Cross, Jackie Chan, Jack Black, Jean-Claude Van Damme, Dustin Hoffman, Lucy Liu, Michelle Yeoh; DIRECTOR: Jennifer Yuh; WRITERS: Jonathan Aibel, Glenn Berger; GENRE: Animation, Action/Adventure; RUNNING TIME: 91 minutes.

Technical Assessment: 4
Moral Assessment: 4
CINEMA Rating: For viewers of all ages.


An excellent movie highlighting the courage, team work and familial love.  Po's new life of awesomeness with the Furious Five is threatened by the emergence of a formidable villain, the peacock Shen, who plans to use a secret, unstoppable weapon to conquer China. Po also learns he is adopted by Mr. Ping the duck, causing him some degree of depression.  He then feels a grating desire to look to his past and uncover the secrets of his mysterious origin.  Only then will Po be able to unlock the strength he needs to succeed in straightening out the rebellious peacock.  The animation is elegant, the humor is wholesome, the message worth remembering by young and old alike.  If your children wish to see one last movie before school days come around again, make it Kung Fu Panda 2!

Friday, May 27, 2011

Pirates of the Caribbean: On Stranger Tides


CAST: Johnny Depp, Penelope Cruz, Ian McShane, Kevin R. McNally, Astrid Berges-Frisbey, Sam Claflin, Geoffrey Rush; DIRECTOR: Rob Marshall; WRITERS: Ted Elliott, Terry Rossio; GENRE: Action/Adventure, Comedy; RUNNING TIME: 137 min.

Technical Assessment: 3.5
Moral Assessment: 2.5
CINEMA Rating: For viewers age 14 and above.


Crossing paths with the enigmatic Angelica, Captain Jack Sparrow is not sure if it's love or if she's a ruthless con artist who's using him to find the fabled Fountain of Youth.  When she forces him aboard the "Queen Anne's Revenge," the ship of the legendary pirate Blackbeard, Jack finds himself on an unexpected adventure in which he doesn't know whom to fear more: Blackbeard or Angelica, with whom he shares a mysterious past.  Pirates... Stranger Tides is superb entertainment but more than entertainment it stimulates the imagination by the introduction of mythical mermaids to the story.  The beautiful creatures actually steal the thunder from Penelope Cruz and Johnny Depp.  The attack by the nubile, innocent looking but menacing mermaids is a masterpiece at CGI, with the human fish bobbing in and out of the gigantic waves, capturing the muscular pirates and dragging them down into the ocean's depths are really something new to watch.  Scary--if mermaids were real you wouldn't want to ever touch the sea again.