Friday, June 3, 2011

Paul


CAST: Simon Pegg, Nick Frost, Kristen Wigg, Bill Hader, Jane Lynch, Jason Bateman, Seth Rogen, Sigourney Weaver; DIRECTOR: Greg Mottola; WRITERS: Simon Pegg, Nick Frost; GENRE: Comedy; RUNNING TIME: 100 minutes.

Technical Assessment: 2.5
Moral Assessment: 2
CINEMA Rating:  For mature viewers 18 years and above.



Make no mistake about it: Paul  is no harmless cartoon for kids.  The language alone can make the proverbial sailor blush, as the alien Paul tells a character, “Cursing is fun; you just have to pick your moments!”  The word “f - - k” is used 50 times, “s - - t” 40 times, and so many other terms you would never want to hear coming out of your children’s mouth.   On top of that the alien Paul smokes marijuana and spurs others to do the same; he’s a beer guzzle and a reckless driver; pushes others to steal to satisfy his whim, pokes fun at Bible-toting Christians, and has a yen for making obscene gestures.   CINEMA came across a crisp and incisive critique of the movie by Plugged In Online which we respectfully excerpt and pass on to our readers.     
Paul tells us that advanced civilizations have outgrown the concept of God—at least a Christian God. But here's what I find most interesting about its point of view: In attempting to strip away one religion, we've been given another.

“The popularity of aliens and UFOs in pop culture has been attributed, by some, to folks trying to replace traditional faith with a more scientific form of religion, complete with rewards (knowledge), punishments (probes!) and awe-struck wonder. Consider Paul—his characteristics, not his character: He's a being from another place, a creature filled with unimaginable knowledge and incredible power. He heals the sick, he raises the dead, he helps the blind to see. He holds (the film suggests) the promise of a better world—one full of peace and love and community, free from strife and sin.

“And yet Paul does not appear to everyone. Indeed, he reveals himself only to a select few … disciples. And those to whom he shows himself are often mocked, even persecuted sometimes.

“We meet a woman to whom Paul revealed himself 60 years prior. Now old, she's angry with Paul at first, telling him how the neighbor kids would make fun of her, throw rocks at her window. They would not believe her and her "alien" stories, and in time she had perhaps begun to doubt her own memories. But then she softens. Seeing Paul now, face-to-face, everything's fine again. Her faith—following an unseen, unfelt visitor—is validated.

“If you haven't connected the dots yet, what I'm getting at is Paul's status as a deity. But what a slovenly deity he is: Little more than a "greater" being who, when he gives his friends the sum of all his knowledge, doesn't change them a whit; an advanced entity less concerned with mankind's betterment than with the pot he's carrying and the partying he's planning.”
If you’re looking for laughs plus, there’s Kung Fu Panda; for adventure, there’s Pirates of the Carribean:  Stranger Tides. 

Kung Fu Panda 2


CAST: Angelina Jolie, Seth Rogen, Gary Oldman, David Cross, Jackie Chan, Jack Black, Jean-Claude Van Damme, Dustin Hoffman, Lucy Liu, Michelle Yeoh; DIRECTOR: Jennifer Yuh; WRITERS: Jonathan Aibel, Glenn Berger; GENRE: Animation, Action/Adventure; RUNNING TIME: 91 minutes.

Technical Assessment: 4
Moral Assessment: 4
CINEMA Rating: For viewers of all ages.


An excellent movie highlighting the courage, team work and familial love.  Po's new life of awesomeness with the Furious Five is threatened by the emergence of a formidable villain, the peacock Shen, who plans to use a secret, unstoppable weapon to conquer China. Po also learns he is adopted by Mr. Ping the duck, causing him some degree of depression.  He then feels a grating desire to look to his past and uncover the secrets of his mysterious origin.  Only then will Po be able to unlock the strength he needs to succeed in straightening out the rebellious peacock.  The animation is elegant, the humor is wholesome, the message worth remembering by young and old alike.  If your children wish to see one last movie before school days come around again, make it Kung Fu Panda 2!

Friday, May 27, 2011

Pirates of the Caribbean: On Stranger Tides


CAST: Johnny Depp, Penelope Cruz, Ian McShane, Kevin R. McNally, Astrid Berges-Frisbey, Sam Claflin, Geoffrey Rush; DIRECTOR: Rob Marshall; WRITERS: Ted Elliott, Terry Rossio; GENRE: Action/Adventure, Comedy; RUNNING TIME: 137 min.

Technical Assessment: 3.5
Moral Assessment: 2.5
CINEMA Rating: For viewers age 14 and above.


Crossing paths with the enigmatic Angelica, Captain Jack Sparrow is not sure if it's love or if she's a ruthless con artist who's using him to find the fabled Fountain of Youth.  When she forces him aboard the "Queen Anne's Revenge," the ship of the legendary pirate Blackbeard, Jack finds himself on an unexpected adventure in which he doesn't know whom to fear more: Blackbeard or Angelica, with whom he shares a mysterious past.  Pirates... Stranger Tides is superb entertainment but more than entertainment it stimulates the imagination by the introduction of mythical mermaids to the story.  The beautiful creatures actually steal the thunder from Penelope Cruz and Johnny Depp.  The attack by the nubile, innocent looking but menacing mermaids is a masterpiece at CGI, with the human fish bobbing in and out of the gigantic waves, capturing the muscular pirates and dragging them down into the ocean's depths are really something new to watch.  Scary--if mermaids were real you wouldn't want to ever touch the sea again.

Dylan Dog


CAST: Brandon Routh, Sam Huntington, Anita Briem, Peter Stormare, Taye Diggs, Brian Steele, Kurt Angle, Marco St. John,Courtney Shay Young, Gabrielle Chapin; DIRECTOR: Kevin Munroe; WRITERS: Thomas Dean Donnelly, Joshua Oppenheimer; GENRE: Horror, Suspense/Thriller; RUNNING TIME: 107 min.

Technical Assessment: 2.5
Moral Assessment: 1.5
CINEMA Rating: For viewers age 18 and above.


The paranormal investigation job of Dylan Dog (Brandon Routh) takes a back seat after the death of his girlfriend at the hands of a vampire clan. He does not accept related cases like the mysterious death of a rich importer which appears to be murdered by a warewolf. However, when his friend Marcus Adams (Sam Huntington) becomes the next victim, Dylan does not have second thought of going back to the business of penetrating the world of vampires, warewolf, and zombies. The mysterious people behind these creatures turn out to be Dylan's friends with whom he maintains relationships for old time sake. In the course of his investigation for the case of the rich importer whose daughter becomes his close allies together with his dead friend Marcus who is now a zombie, he discovers that the key to stopping the deadly creatures is an artifact burried with one of the vampire in the crypt. Dylan got this artifact sooner, but of course, his "friends" would not like it and they want to make sure they have the artifact in their possesions.

The film Dylan Dog: Dead of Night is a combined comedy and suspense thriller. Whilst there is a central character, it does not help to put subplots together to establish a strongly-focused story. The role of Elizabeth which is like a wall flower has no impact at all despite the surprising revelation of her connection to the villains at the end of the film. The antagonists are not as remarkable so viewers could hardly hate them. Nevertheless, Dylan Dog: Dead of Night as an italian comic adaption is entertaining, primarily as an effect of the tandem of Dylan and Marcus. The humor brought by the character of Marcus is effectively carried by Huntington. Routh, on the other hand, hardly acts on this film like an eternal good looking zombie. He survived all the fights and hard beats of the beasts yet preserves the good looks as if nothing touches his face. The gory scenes of dead corpses and worms are not necessarily in bad taste but the director has the tendency to prolong and overdo. The make-up and overall production design are fine but there are more to desire with regards to lighting and compositions. The special effects are a bit of a hard sell too. Overall, the film falls average in the technical aspect.

The film shows how friendship is valued and that a friend is willing to sacrifice in order to seek justice for a lost friend and be motivated to take on bigger responsibility of ensuring victory of good over evil. However, if Filipino myths has manananggals, kapre, tyanaks, the European culture has vampires, zombies and human warewolves. This European supernatural forms is the context of the film Dylan Dog: Dead of Night and it shows that they do exist and live among the living like normal people. The film naturalizes zombies culture. It shows dead corpses and body parts as commodities which is contrary to the respect that Filipinos give to bodies of departed love ones.

Monday, May 23, 2011

The King's Speech


CAST: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall, Michael Gambon, Jennifer Ehle, Derek Jacobi, Max Callum, James Currie; DIRECTOR: Tom Hooper; WRITER: David Seidler; GENRE: Drama; RUNNING TIME: 111 minutes.

Technical Assessment: 4
Moral Assessment: 4
CINEMA Rating: For viewers age 13 with parental guidance.


In 1925, Prince Albert (Colin Firth) and wife Elizabeth (Helena Bonham Carter) are quite content with living their lives away from the public eye. Bertie (Albert), who smokes heavily and stammers, has a speech therapist whose method of making him speak with marbles in his mouth so frustrates the former that he gives up sessions with him. Under cover of anonymity, Elizabeth then arranges for another therapist, a rather unorthodox one by the name of Lionel Logue, a failed Australian actor (Geoffrey Rush) who insists on dealing with his patients as friends as part of his therapy. This friendship, at first uneasy, is to deepen in time, especially when his elder brother and King of England, Edward, abdicates the throne to marry an American divorcee—making Albert step up as King George VI. Being a monarch then means speaking through a microphone as the entire British Empire is listening, a nightmare to a seemingly incurable stammerer. How would Bertie face public humiliation on account of his glaring speech deficiency?

We understand how The King’s Speech won so many awards including Oscars for the film, the director Tom Hooper, actors Firth, Rush and Carter, etc. It is a historical drama that satisfies the audience’s craving for drama while respecting accuracy in the retelling of history. There couldn’t have been a more perfect cast for such a period piece. The actors virtually crawl into the skins of their characters and revive the excellent synergy among their real life counterparts that actually worked to help gain for a stuttering prince the courage to overcome himself and to eventually give hope to a nation at war. Particularly impactful is the scene where Bertie approaches the microphone, glumly as though being led to the guillotine, to deliver a speech to unite the nation. Firth’s and Rush’s acting, the content of the speech itself, footage of the anxious population, and the majesty of the background music all combined to make these perhaps the most memorable 3 minutes in the whole film. Prepare for goosebumps.

The King’s Speech is a story without a villain—rare, it seems, for cinema these days when villains actually outnumber heroes. It throws the spotlight on royalty but says nothing about royalty’s flamboyance or extravagance. It even sidesteps the over-romanticized newsmaker of the day then, King Edward’s renouncement of the throne “to marry the woman I love”, twice-divorced American Wallis Simpson. Director Tom Hooper must have thought there were better things and better people to make a movie about than the infatuation of a wimp for a woman who felt she was all worth the attention and the scandal. Hooper is right. The King’s Speech is a rich and deeply human story that highlights the characters’ sympathy and support for one another, positive attitudes in the face of limiting circumstances. The friendship that deepens between the stammering king-to-be and his persevering therapist, together with the unstinting support of the loving of queen-to-be, effect a transformation in the monarch that will surely inspire audiences of all ages.