Wednesday, April 27, 2016

The Hunstsman: winter's war


DIRECTOR: Cedric Nicolas-Troyan STARRING:Chris Hemsworth, Jessica Chastain, Charlize Theron, Emily Blunt, Colin Morgan, Nick Frost, Sam Claflin, Rob Brydon PRODUCER: Joe Roth  EXECUTIVE PRODUCERS:Sarah Bradshaw, Palak Patel  SCREENWRITERS: Craig Mazin,Evan Spiliotopoul  BASED ON:Characters by  Evan Daugherty FILM EDITOR: Conrad Buff IV  MUSIC:James Newton Howard  ART DIRECTOR & VISUAL EFFECTS: Steve Street  GENRE:Fantasy, Adventure, Action, Drama  CINEMATOGRAPHER: Phedon Papamichael  PRODUCTION DESIGN: Dominic Watkins  PRODUCTION COMPANIES: Perfect World Pictures, Roth Films  DISTRIBUTORS: Universal Pictures  COUNTRIES: United Kingdom, United States  LANGUAGE: English RUNNING TIME: 114minutes
Technical Assessment: 3
Moral Assessment: 3
Cinema Rating:V13
A prequel to  Snow White and the Hunstman, the story happens many years before the Snow White’s story. The evil queen Ravenna (Charlize Theron) has a sister, Freya (Emily Blunt), whose magical cryokinenetic powers—the power to use cold and ice in physical combat—awaken following the mysterious death of her only child.  She leaves her sister's kingdom and establishes her own empire in the icy North. She abducts children from villages, and raises them to be her soldiers—hunstmen. Two of these children are Eric and Sara (Chris Hemsworth and Jessica Chastain), who grow to become her finest huntsmen. And in spite of Queen Freya's rules against love, the two fall in love. Queen Freya uses her magic to separate them, and Eric, believing that Sara is murdered, spends the next seven years mourning her death. Things take a different turn, when the Ice Queen Freya hunts for the magic mirror which used to belong to Queen Ravena, now believed to be dead.
The Hunstman: Winter’s War takes a different turn on the original popular fairy tale, Snow White. Here, the audience will only hear the name of the famous princess who will not really appear in the picture. The result is pretty interesting, although one can sense that the film is having quite a difficulty in terms of focus and real identity. Although the two huntsmen are in the center of a love story, the sister/rival queens seem to be more interesting characters. The acting is fine. Hemsworth and Chastain are able to deliver although as lovers in the story, there should perhaps be more justification to endear them to the audience. Blunt is terrific and Theron is as fierce as ever although she lacks the needed exposure to establish more tension in the story.  Elaborate production design and visual effects are effective, making The Huntsman: Winter’s War in its totality a feel-good and an enjoyable watch only despite its weaknesses.

The film is very clear on its theme as it is verbalized quite a few times – “love conquers all.”  It refers mainly to the romance built between Eric and Sara amid the strong rule of the ice queen not to love. Although the love the queen is referring to is love in general so it also applies to kinds of love other than the romantic one. The Huntsman: Winter’s War is able to deliver the message loud and clear. Freya’s traumatic experience brought out the worst in her and her outrage and anger turned her into a cold being – literally and figuratively. Her heart turned not just cold but as hard as ice. The film clearly defines hatred, greed and vanity as evil.  Ravena symbolizes the evil of all evils. Freya’s circumstance made her evil for a time but then, goodness in her heart still triumphed in the end as it is her real nature. It may have been hard at first to accept her sudden change of heart just because of one traumatic experience—but then, that could be very human of her to feel hate and anger.  Her remorse towards the end is a redeeming factor. The bond between Eric and Sara could have been stronger had there been more tension and emotions at stake. But shallow or not, love is love, is able to conquer the evil of evils, and it is maybe enough that the message “love conquers all” comes across loud and clear. The violence in the movie, although in context, must be explained to the very young audience.