Friday, August 2, 2013

Turbo

LEAD CAST:  Voices of Ryan Reynolds, Snoop Dogg, Bill Hader, Samuel Jackson, Maya Rudolf
DIRECTOR: David Soren  SCREENWRITER: Darren Lemke, David Soren and Robert Siegel  PRODUCER:  Lisa Stewart  EDITOR:  Noellen Westcombe  MUSICAL DIRECTOR:  Henry Jackman  GENRE:  Animation, family adventure  RUNNING TIME: 96 minutes  CINEMATOGRAPHER:  Chris Stover  DISTRIBUTOR:  20th Century Fox

Technical assessment:  3.5
Moral assessment:  2
MTRCB rating:  GP
CINEMA rating:  PG 13

            In a tomato patch in the garden of a suburban Los Angeles home lives a colony of snails whose days consist of consuming tomatoes to sustain themselves, and avoiding snail killers like crows, lawnmowers, and bike-riding brats.  Here we find Theo (Ryan Reynolds) who is dissatisfied with his lot, finds the snail life too slow, and longs for speed.  Theo’s spare time is spent sneaking into the garden shed to watch tapes of car races, finding special thrill in those won by his idol Guy Gagne (Bill Hader) whom he naturally wants to imitate.  Theo’s sensible older brother Chet (Paul Giamatti) advises him:  “The sooner you accept the dull, miserable nature of your existence, the happier you’ll be,” but Theo is deaf to it.  One night, fascinated by the automotive traffic he watches from an overpass railing, he falls and eventually gets sucked into a speeding vehicle’s fuel tank.  This turns the garden snail into a mighty mollusk, and from then on he would be called “Turbo”. 
            Life from the point of view of garden snails is sensitively rendered in the footages covering the tomato patch, effectively moving human imagination to empathize with the slow-moving creatures.  How awful it must be to exist only to survive from day to day, waiting for a ripe tomato to tumble down your path so you can eat, and learning the perfect moment to tuck and roll in order to avoid being killed!  On that premise, director David Soren, with fellow scriptwriters Darren Lemke and Robert Siegel, tries to justify a success story starring a small and weak character who’s thought to be incapable of greatness.  Don’t be surprised to hear “Eye of the tiger” theme from Rocky III in Turbo’s thumping soundtrack—that’s because Turbo evokes the spirit of Rocky Balboa in the way it champions the underdog in this fanciful animation.
            Turbo may be one of two movies showing at present without murders, homicides, the elimination of one’s enemies, or the annihilation of the human race, but it doesn’t mean it’s as wholesome as Cinderella.  It’s a whimsical tale of two sets of brothers—human and snail.  In either set, there is the realistic brother—believing in hard, repetitive work, accepting of reality, trying to talk sense into his more ambitious sibling—and the brother who dreams big and will try the untried in order to rise above his boring situation.  Contrasting values are well-presented, as though to leave the audience to themselves to take sides, but as the story develops it becomes apparent that the balance is tilted to favor the brothers who dream big and see their dream come true against all odds.   Because of the victory of Turbo, the taco brothers and the other shop owners in their neighborhood are able to improve their businesses.  
            In guiding your children through this movie, at least two things merit a careful glance: first, the supernatural powers the snail got from substances it would not normally ingest to nourish itself.  In the human experience there are chemicals that could produce a similar effect on users—making them feel they are superhuman and can fly and be invincible—and the illegal use of them is a crime.  Such use of boosting chemicals may look funny, even adorable, on a snail, but how will your imitative kids discern the difference?  Will it not send a message to children that in order to be strong or an achiever you have to imbibe of forbidden substances?
            Second:  Tito, the lazy brother in the taco stand, and the other shop owners bettered their lot through gambling.  They gambled—they did not think of changing their work attitudes, or of creative ways to improve their service, to upgrade their skills, or to offer higher quality goods to customers—they gambled.  What is this saying about hard and honest work?  What is to stop them (in possible a sequel) from egging Turbo on to another Indianapolis 500 race, investing in a sport that endangers the snail’s life while hoping to win more quick bucks?
            Imagine how different the story would be if Turbo got his powers from a pool of tomato juice (yes, like Popeye who got his muscles from downing canned spinach), and dreamed of things that would benefit the snail community (instead of competing in a sports that wastes the earth’s resources).  Then maybe, just maybe, CINEMA would give Turbo a GP rating, but as it is, we recommend strict parental guidance, even to adults who wouldn’t see anything suspicious in cartoons.