Friday, October 3, 2014

The Maze Runner


DIRECTOR: Wes Ball  LEAD CAST: Dylan O’Brien, Aml Ameen, Ki Hong Lee, Blake Cooper, Thomas Brodie-Sangster, Will Poulter, Dexter Darden, Kaya Scodelario, Chris Sheffield, Anish Surepeddi, Patricia Clarkson  SCREENWRITER: Noah Openheim, Grant Pierce Myers, T.S. Nowlin  PRODUCER:  Marty Bowen, Wyck Godfrey, Ellen Godsmith-Vein, Lee Stollman  EDITOR:  Dan Zimmerman  MUSICAL DIRECTOR:  John Paesano  COSTUME DESIGNER:  Simonetta Mariano  GENRE: science fiction, action thriller  CINEMATOGRAPHER:  Enrique Chediak  DISTRIBUTOR: 20th Century Fox  LOCATION:  Louisiana, USA  RUNNING TIME:   113 Minutes
Technical assessment: 4  Moral assessment: 3  CINEMA rating:  PG 13
     Debuting director Wes Ball opens the movie with 16-year-old Thomas (Dylan O’Brien) struggling in a freight elevator shooting up underground. It surfaces in a place inhabited by teen boys he had never met before.  He learns he is now in “the glade”—a wide expanse of meadows and woods surrounded by massive concrete walls.  The glade has been home to the boys who have been placed there, one each month, for the past three years, arriving like Thomas in the same conveyor, remembering nothing of their past except their names.  This makeshift society is led by the first arrival Alby (Aml Ameen); having survived in the glade alone for one month, he has become their natural leader.  Newt (Thomas Brodie Sangster), second in command, tells Thomas they are virtual prisoners in the glade, the eye of an enormous maze whose ever-shifting walls are too high to scale.  It is the duty of Gally (Will Poulter) to enforce the rules in the glade, the most important of which is never to enter the door to the maze—a tantalizing portal that closes by itself at night when gigantic bio-mechanical creatures called Grievers patrol the maze.   Thomas is warned that no one has ever survived a night in the maze.
     Adapted from James Dashner’s bestselling 2009 book of the same title, post-apocalyptic sci-fi movie version of The Maze Runner joins the ranks of The Hunger Games and Divergents as young-adult adventure thriller.  Although the story is compelling, it is not without loopholes.  The absence of a back story also hinders characterization, although acting is adequate and convincing, given the bit of uneven handling of the cast. The Maze Runner’s strongest technical point is the action, which owes its excitement to the sensible balance between CGI and natural human skills.  No superhero strength for the characters, no demi-godly powers, no flying—just running and a great deal of guts.
     The Maze Runner has for its redemptive elements a strong moral worldview and the message that man has an innate capacity for good.   Despite the loss of past memory, its characters display courage, selflessness, kindness, and a sense of sacrifice.  Although clueless about their confinement in the glade, the boys prove that teamwork can build a harmonious community where each has a duty to keep their habitat livable.   Living off the land, they grow their own food, some are goatherds, some are craftsmen making tools and building dwellings from sticks.  Three rules of paramount importance in the glade: Do your part with work, never harm another Glader, and never go into the maze.