Litsonero

Cast: Paolo Contis, Karylle, Maricel Laxa, Michael de Mesa, Jun Urbano, Joanne Quintas, Gerard Pizzaras; Director: Lore Reyes; Producers: ; Screenwriter: Lore Reyes; Genre: Drama; Distributor: APT Entertainment; Location: Rizal Province, Macau; Running Time: 110 min.;

Technical Assessment: 3.5
Moral Assessment: 3
CINEMA Rating: For viewers age 13 and below with parental guidance

Si Fidel (Paolo Contis) ay kakatapos pa lamang ng kursong Culinary Arts sa isang prestihiyosong paaralan sa Europa at nagtatrabaho bilang assistant chef sa Macau nang usigin siya ng kanyang Inay Viring (Maricel Laxa) na magbalik sa kanilang probinsiya para sa anibersaryo ng kamatayan ng kanyang ama. Sa kanyang pagbabalik, tatambad kay Fidel ang mabibigat na responsibilidad na iniaatang sa kanya ng kanyang pamilya katulad ng mga pagkakautang at mga gulo na kinasasangkutan ng mga kapatid. Ngunit ang pinakamatinding pasanin ni Fidel ay ang akusasyon ng kanyang Uncle Pinoy (Michael de Mesa) na hindi na siya Pilipino at pilit niyang tinatakasan ang kanyang pinagmulan. Upang pabulaanan ito, hahamunin siya ng kanyang tiyuhin na magluto ng isang masarap at tunay na litsong Pilipino kung hindi ay hindi na siya makababalik sa Macau at mamamasukan siya sa kanyang Unlce Pinoy ng isang taon. Tatanggapin ni Fidel ang hamon at siya’y mag-aaral ng paggawa ng litson kay Mang Carding (Jun Urbano ) na kilala sa kanilang lugar bilang pinakamasuhay sa paggawa ng litson. Makikilala ni Fidel ang apo ni Mang Carding na si Carmel (Karylle) at siya’y mapapaibig dito habang kakaharapin naman niya ang patong-patong na problema ng kanyang pamilya. Manalo kaya si Fidel sa hamon sa gitna ng maraming balakid na kanyang kakaharapin?

Bagama’t simple ang kuwento ay masasabing may kalidad ang pelikulang Litsonero. Maliwanag ang sentro ng pelikula na patungkol sa isang kilalang tradisyong Pilipino- ang litson. Payak ang pagkakagawa ng pelikula ngunit malaman ang konsepto at pagkakasulat. Walang masyadong kadramahan at pagkukunwari ang mga tauhan. Ang mapapanood ay pawang mga natural na karakter na hindi pinilit bigyan ng masyadong komplikasyon. Yun nga lang, may ilang tauhan na pawang napabayaan ang kuwento at hindi nabigyang lalim ang daloy ng damdamin. Sa biglang-tingin, wari ng manonood ay walang bigat ang kuwento ng Litsonero ngunit kung pakasusuriin, may matinong mensaheng nais ipahitid ito. Wala namang itulak kabigin ang malinis na sinematograpiya at mahusay na pagkakaganap ng mga artista. Maayos din ang editing at musika. Nagawa ng pelikulang ipadama ang nararapat na larawan ng isang simpleng komunidad kasabay ng paghahambing nito sa isang moderno at maunlad na dayuhang siyudad ng Macau.

Maganda ang mensaheng hatid ng Litsonero. Pinahahalagahan ng kuwento ang pagiging makabayan at ang hindi paglimot sa pinagmulan. Ang pagbuo ng pamilya at pangarap ay maihahalintulad sa pagluluto ng isang putahe na tulad ng litson - masalimuot, maraming sangkap at kinakailangang pagbuhusan ng tiyaga, pagod at panahon. Ipinakita ng karakter ni Fidel na ang pagiging Pilipino ay hindi kung nasaan kang lugar kundi ang pananatili ng kamalayan sa puso at isipan. Sagana rin sa pangangaral ng kabutihang-asal ang ina ni Fidel na si Viring na ipinakitang higit na mahalaga ang presensiya ng anak kaysa sa kikitain at ipapadala nitong pera. Sa panahon ngayon na pawang walang mahalaga sa ibang tao kundi ang pera, ipinakita ng Litsonero na marami pang mas mahalaga sa buhay tulad ng pamilya, pagkakaibigan, pagmamahal sa tinubuang bayan, pagtanaw ng utang na loob at wagas na pag-ibig. May kurot na mensahe rin ang pelikula ukol sa kalagayan ng mga babae sa lipunan. Marapat lamang gabayan ang mga batang manonood ukol sa ilang maseselang paksa tulad ng maagang pagbubuntis, pangangalunya at pakikipagtalik sa labas ng kasal.

Angels and Demons

Cast: Tom Hanks, Ewan McGregor, Ayelet Stellan Skarsgard, Pierfrancesco, Nikolaj Lie Kaas, Armin Mueller-Stahl; Director: Ron Howard; Producers: John Calley, Brian Grazer, Ron Howard; Screenwriters: David Koepp, Akiva Goldsman; Music: Hans Zimmer; Editor: Daniel P. Hanley, Mike Hill; Genre: Crime/ Drama/ Mystery; Cinematography: Salvatore Totino; Distributor: Columbia Pictures; Location: California, USA; Running Time: 138 min;

Technical Assessment: 3.5
Moral Assessment: 3
CINEMA Rating: For mature viewers 18 and above

The pope has just died and the Cardinals are gathered to elect a successor when four cardinals—the favorites as the next pope—are kidnapped. A note from the Illuminati, an ancient secret society that is perhaps taking revenge on the Church for past persecutions, threatens to kill the four cardinals, one every hour from 8 to 11 PM. It also says a bomb made of anti-matter, hidden in the bowels of the Vatican, will explode when it runs out of battery at midnight Only Harvard symbologist Robert Langdon (Tom Hanks) can decipher the Illuminati riddle, so the Vatican through an emissary summons him to solve the mystery and save the Vatican estate from total annihilation. Langdon gains a partner in the race against time, the Italian scientist Vittoria Vetro (Ayelet Zurer) who had inadvertently created the anti-matter in a CERN laboratory in Geneva. The two win the cooperation of the Camerlengo Fr. Patrick McKenna (Ewan McGregor), and then the hunt begins, despite the lukewarm welcome by probable papal successor Cardinal Strauss (Armin Mueller-Stahl) and chief of Vatican security Commander Richter (Stellan Skarsgard).

Having been denied the privilege to film in the Vatican, director Ron Howard resorted to creating their own sets, and they are great repros of the original, especially the Sistine Chapel. Those who have seen the real thing or who have a trained eye would know that these locales are just Hollywood sets, but the ordinary moviegoer would feel lucky to pay the price of admission (160 pesos) to go on a virtual pilgrimage to the Holy See, tour the Vatican archives, penetrate the Conclave during a papal election, and set foot on the ground where St. Peter is buried. Of course, Angels and Demons is a historical novel, not history, so you don’t turn to the movie to find the truth; nonetheless, it offers a reasonable facsimile of the trappings of Catholicism. While the plot has enough fire in it, the intensity varies from actor to actor. Tom Hanks is more disappointing than dispassionate here, and the Israeli actress Ayelet Zurer is like lukewarm coffee, tasty but unappetizing. Ewan McGregor as the angel-faced Camerlengo steals the thunder from Hanks, but has to try harder in order not to be outdone by the Cardinal Strauss of Armin Mueller-Stahl. Credit goes to the writers for the thought-provoking dialogue. The musical score is effective and the cinematography is great, but it doesn’t seem right that the Langdon and Vetro characters too effortlessly read or intuit the clues leading to the anti-matter vial’s hiding place, depriving the story of much needed tension and texture.

Contrary to the allegations of the suspicious, Angels and Demons—according to the review done by L’Osservatore Romano, the official newspaper of the Vatican—is “commercial… harmless entertainment”. CINEMA agrees. Just like the Da Vinci Code, Angels and Demons is a plain detective story, a murder thriller which just happens to involve Church men as victims. It is worth watching for the relatively positive image of the Church that it ultimately projects. If you must watch it, prepare not to nitpick about Dan Brown’s historical hooey— instead pay attention to the dialogue, you are certain to pick out lines that may even increase your faith in men of the cloth. And on hindsight, you may even realize that in spite of man’s folly and infidelity, God does make Himself present in the conclave.

IP Man

Cast: Donnie Yen, Sammo Hung Kam-Bo, Siu-Wong Fan, Ka Tung Lam; Director: Wilson Yip; Producer: Raymond Wong; Screenwriter: Edmond Wong; Music: Kenji Kawai; Editor: Cheung Ka-Fai; Distributor: Innoform Media; Location: China; Running Time: 105 min;

Technical Assessment: 4
Moral Assessment: 3.5
CINEMA Rating: For viewers age 13 and below with parental guidance

Wushu (chinese martial arts) Grandmaster Ip Man (Donnie Yen) is highly regarded in Foshan for his passion, discipline and fighting skills. Other martial arts masters seek training under him that they can transfer to their students in martial arts schools which Foshan is known for. Ip Man belongs to a rich family who hardly says no to people asking for help including those who want to learn wushu from him which is to opposition of his wife. When the Japanese occupation comes to China, the people Foshan and the property of Ip Man are not spared. The people succumb to hunger and cruelty of Japanese soldiers claiming lives including friends of Ip Man. During this difficult situation, the Japanese officers witness Ip Man's fighting ability and think he can be an asset to them.

"Ip Man" is a well-crafted semi-biographic film with combined fictions for cinematic effects and actual facts about the life of Mr Yip Man, a known personality in the field of Chinese martial arts and the highly regarded teacher of world's famous late martial artist Bruce Lee. The film successfully makes the viewers admire Yip Man as a person. All the actors effectively delivered their portrayal of their characters especially Donnie as Ip Man. The treatment of the story including choreography of fighting scenes, friendship and siblings’ drama, and cinematic effects showing gruesome war are commendable. Lights, sounds, music, and overall production design have likewise contributed in making the film more interesting and entertaining for viewers.

The film conveys that as the saying goes like 'great power', possessing skills and talents like martial arts also come with great responsibility. Responsible people use them at the right time and opportunity. But this is not easy because most of the time there will be opportunity to challenge the person's ability and discipline. A person true to his principle and ability will find a way to continue beyond any circumstances. But over and above the cliche of the saying about great power, the film also shows that material things can perish but not the friendship and value of family. As a person who showed love for his family, friends, and country is rewarded by kind remembering of the good deeds and contribution to society. "Ip Man" is a film worth viewing, however due to some scenes showing brutal killings children age 13 and below should be accompanied by adult.

BFF Best Friends Forever

Cast: Sharon Cuneta, Ai-Ai de las Alas, John Estrada, Gina Pareño, Chokoleit; Director: Wenn V. Deramas; Producer: Tess Fuentes; Screenwriter: Mel Mendoza-del Rosario; Music: Jessie Lasaten; Editor: Marya Ignacio; Genre: Comedy Drama; Cinematography: Sherman Philip So; Distributor: Star Cinema Production; Location: Manila, Philippines; Running Time: 105 min.;

Technical Assessment: 2.5
Moral Assessment: 2.5
CINEMA Rating: For viewers 14 and above

Malaki ang suspetsa ni Honey (Sharon Cuneta) na nambababae ang kanyang asawang si Tim (John Estrada). Bagamat ilang ulit na niyang nahuhuling may kasamang iba, hindi niya matiyak kung sinu ang babae nito. Sa pagnanasang maiayos ang kanilang pagsasama, isasama siya ng kanyang nanay (Gina Pareño) sa gym upang magpapayat. Makikilala naman ni Honey ang isang dalagang inang dance instructress na si Frances (Ai-ai delas Alas). Magkakapalagayan sila nang loob hanggang maging matalik silang magkaibigan, Madalas ibida ni Frances ang kanyang nobyong si TJ kay Honey at nagbibigay pa ang huli ng mga payo upang mapadali ang pag-aayang magpakasal ng lalaki. Samantala, tinutulungan naman ni Frances si Honey upang maayos ang pagsasama nilang mag-asawa. Lingid sa kanilang kaalaman, iisa si Tim ang TJ. Masusubok ang pagkakaibigan ng dalawa sa sandaling magkabistuhan na iisa ang lalaking kanilang minamahal.

May tangkang maging kakaiba at orihinal ng pelikula subalit sa bandang huli panay slapsticks pa rin ang istilo ng pagpapatawa at hindi naka base sa diyalogo o sitwasyon. Marami rin eksena ang hindi na kailangan at nagsilbing pampahaba lang. Katulad ng nakagawian ng mga mediocre na pelikula, may mga susulpot sulpot na tauhan at subplots na pinagbubuhusan pa ng pansin bagamat malayo at Hindi mapagtatakpang ang kakulangan ng pelikula kahit dalawang bigating pangalan pa sa industriya ang kanilang ginamit. Sayang lamang ang husay ni Cuneta at delas Alas dahil walang lalim ang mga tauhang ibinigay sa kanila. Burara ang produksyon, kung mapapansin ang eksena ni Estrada nang palayasin siya ni Cuneta at natulog siya sa kanyang talyer, makikitang nakakabit sa pintuan ang “Miss AI-ai” at “J. Estrada”. Hindi man lamang napansin o ginawanan ng paraan ng cinematographer o direktor o editor. Bagkus, dahil marahil kakapirasong pagkakamali ay pinagbayaan na lamang. Sayang ang pera at panahong ugugugol sa isang pelikulang walang pagnanasang maging maayos at pipikitan na lamang ang mga pagkakamali. ­­

Ang BFF (Bestfriends Forever) ay tungkol sa pagkakaibigan. Sinasabi ng pelikula na mas matimbang ang pagkakaibigan kaysa sa dagok ng pagtataksil. Likas sa tunay na magkaibigan ang umunawa, magparaya at magpatawad.

Sa kabilang dako, negatibo at mababa ang pagtingin ng BFF sa kababaihan. Sa pelikula ang mga babae ay lokohin (si France na ilang lalake na ang pinagkatiwalaan), tanga (ang anak ni France na pumayag perhan ng pamilya ng boyfriend), utu-uto (ang anak ni Honey na gawa ng gawa ng project ng crush niya), walang tiwala sa sarili (si Honey na hindi man lamang kayang kumprontahin ang asawa) at nakadepende sa lalake ang kaligayahan. Bagamat isang komedya, malupit at hindi pa rin magandang halimbawa ang larawan ng kababaihan sa pelikula.

Star Trek

Cast: Chris Pine, Zachary Quinto, Leonard Nimoy, Eric Bana, Bruce Greenwood; Director: J.J. Abrams; Producers: J.J. Abrams, Damon Lindelof; Screenwriters: Roberto Orci, Alex Kurtzman; Music: Michael Giacchino; Editor: Maryann Brandon, Mary Jo Markey; Genre: ; Cinematography: Daniel Mindel; Distributor: Paramount Pictures; Location: Bakersfield, California, USA; Running Time: 126 min;

Technical Assessment: 3
Moral Assessment: 3
CINEMA Rating: For viewers 14 and above

It’s the 23rd century. The spaceship helmed by Capt. Christopher Pike (Bruce Greenwood) is under attack by the formidable Narada spaceship under Capt. Nero (Eric Bana). Pike’s son, James Tiberius Kirk (Chris Pine) is about to be born as his mother is being evacuated from the besieged ship. As a young boy, Kirk is shown maniacally driving (without license, of course) a car to the Grand Canyon, outspeeding a flying traffic cop and almost plunging to his death. He climbs up the ledge, hardly unnerved. He is suspended by the Academy for a few years and in due time smuggled into the starship Enterprise. Here he continues to swagger around, gets the hots for the sultry but sensible Uhura (Zoe Saldana), and soon after appoints himself as Captain after his nearly fatal encounter with Spock (Zachary Quinto). Kirk gets the ship, but Spock wins his woman, so who’s the real winner? That is not resolved until Kirk and Spock put their heads together to save their ship from Nero the destroyer.

This 27-year old Star Trek series has many fans younger than itself. That’s because its producers have learned to adapt so that Star Trek may evolve and keep up with the times. You’ll like this 11th Start Trek movie, too, if you’re young at heart, which means even as a Senior Citizen card holder you’re still open to such things as warps, starships, time travel and black hole idiosyncracies. You’re also young at heart if you think movies are fun and do not bleed yourself dry looking for logic at every turn. Star Trek tries to strike a balance between then and now, old and new, courtly and cool. Pine as Kirk the hero is reminiscent of the 50s’ James Dean, a rabble-rouser without a cause; Quinto as Spock the other hero resurrects the refined and principled gentleman that girls fall for. Star Trek supports its story with a nifty script and good character development, and tries to inject a little naughtiness and humor in order to be more palatable at the box office.

What lessons may be learned from a movie with characters evocative of Noah’s Ark but using starships? One, Star Trek science is not to be taken as plausible—you’ll flunk Science class if you believe in it. Two, recognize the implausible and the impossible as entertainment—for instance, enjoy the sight of the spaceship Narada emerging from the Black Hole looking like a mutated cockroach magnified a quintillion times—harmless in spite of its size. Three, to win a woman, it’s better for a man to have gentle manners than cockiness and a strong libido. Four, no matter where humans find themselves in time and space, man-woman love will live on in the human heart, as the song “As Time Goes By” says, “You must remember this, a kiss is still a kiss…” Five, in times of danger, even spacewalkers still call on God—as when Capt. Pike utters upon seeing the the “giant cockroach” Narada threatening his spaceship: “Oh my God….!”