Saturday, August 27, 2016

Suicide Squad

Direction: David Ayer; Cast: Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney;  Story: Based on DC Comics Characters; Screenplay: David Ayer; Producer Charles Roven, Richard Suckle; Cinematogrpahy:  Roman Vasyanov; Music: Steven Price;  Editing:  John Gilroy; Genre: Action-Fantasy; Distributor: Warner Bros. Pictures;  Location: USA  Running Time: 123 minutes  ;  
Technical assessment: 2.5
Moral assessment: 2
CINEMA rating: V18 
Intelligence Operative Amanda Waller (Davis) puts together Task Force X from hardened and dangerous criminals to protect mankind from future attacks after the death of Superman (as depicted in the movie Batman Vs Superman: Dawn of Justice). The team is composed of Deadshot (Smith), Harley Quinn (Robbie), El Diablo (Hernandez), Killer Croc (Agbaje) with Army Special Forces Col. Rick Flag (Kinnaman) as their leader. Unknown to the team, Waller chose them because she believes they are expendable and that she can control them by controlling the heart of the Enchantress (Delevigne), a powerful sorceress possessing Flag’s girlfriend Dr. June Moone. Unknown to Waller, the Enchantress frees her brother and plots to seek revenge against the world for imprisoning their souls and ceasing to worship them as gods. Consequently, each of Task Force X’s members have their own issues and pains which lead them to choose to do good or remain bad. 
The film’s title might be an indication of the audience’s feelings after sitting through two whole hours of Suicide Squad in the theaters. Visually, it just goes through so many confusing darkly lit scenes put together in a very rushed manner. The musical introductions per character lose their cuteness after the second song. And even with all the fight scenes and explosions, you get edgy and bored. But the greater failure of the film is in its narrative.  The plot is muddled, the characters fail to develop into something comprehensible and the direction is very rough. The backstories feel rushed and the actual storyline is a jumble of clichés and disconnection. Delevinge should stick to modelling because she is just pathetic as June and embarrassing as the Enchantress. Leto’s Joker tries too hard to surpass Ledger’s unsettling version and Nicholson’s freakish take and ends up simply irritating. While Harley Quinn and Deadshot make good chemistry, and the script has better humor, they are not enough to salvage the production.   

Suicide Squad could have delivered a powerful message: especially in the light of the current fight of the incumbent Philippine president against illegal drugs. Criminals are not dispensable. Regardless of their actions, they deserve compassion, they deserve respect and more importantly they deserve a chance to reform their lives. No matter how bad a person may seem, there is still an ounce of goodness somewhere as long as they have discovered love—true love. Deadshot’s love for his daughter, El Diablo’s love for his family and even Harley Quinn’s dysfunctional love for Joker—all brought them to realize there is a greater good in the world which they are called to be part of.  Unfortunately, the viewers will instead remember the number of deaths and kills and violence.