Thursday, April 23, 2015

The longest ride


DIRECTOR: George Tillman Jr.  LEAD CAST: Britt Robertson, Scott Eastwood, Alan Alda, Jack Huston, Oona Chaplin, Melissa Benoist, Lolita Davidovich  SCREENWRITER:  Nicholas Sparks (novel), Craig Bolotin (screenplay)  PRODUCER:  Marty Bowen, H.H. Cooper, Wyck Godfrey, Michele Imperato, Theresa Park, James Paul, Mitchell Smith, Nicholas Sparks, Robert Teitel  EDITOR:  Jason Ballantine  MUSICAL DIRECTOR:  Mark Isham  GENRE: Drama, Romance  CINEMATOGRAPHER:  David Tattersall  DISTRIBUTOR: 20th Century Fox  LOCATION:  North Carolina, United States RUNNING TIME:  139 minutes
TECHNICAL ASSESSMENT:  3.5
MORAL ASSESSMENT:  2.5      
MTRCB RATING: R-13
CINEMA RATING: V 18
Luke Collins (Scott Eastwood) is set to reclaim his title as champion bull rider after last year’s nasty fall. At a rodeo, he meets Sophia Danco (Britt Robertson), an art student ready for an internship in New York City. They spend time getting to know each other but realized they are worlds apart to make the relationship work. He needs to ride a bull to save their ranch while she needs to fulfil her dreams in the big city. In one of their dates, they rescue Ira Levinson (Alan Alda), a 90-year-old man and his box, from a car crash. While in hospital, Ira (portrayed by Jack Huston as a young man) shares memories of his beloved wife Ruth (Oona Chaplin) and their enduring love. Will Luke choose the 8-second bull ride championship or the ‘longest ride called life’ with Sophia?
If you’ve read a Nicholas Sparks’ novel or seen any of the film adaptations, you’d know the formula. Girl meets boy from a different background, they fall in love but there’s a hindrance. You don’t get only one story but two. There’s another, older couple who faced the same dilemma, and through letters this older couples’ story inspire the younger ones. Tragedy strikes, but it doesn’t end there.
The Longest Ride doesn’t veer of course. Be that as it may, the film showcases the talents of its actors. Eastwood shows promise and Robertson essays her role well. It is the young Levinson couple, Oona Chaplin and Jack Huston, who bring their endearing 1940s characters to life. Although the film weaves the two stories together, one can’t help asking why the young Ira had to write Ruth about something she herself just experienced. There are beautiful scenic shots of North Carolina and the bull riding scenes are gripping. The dialogue can be improved and some scenes are just too long – it would have been better if it were less than 120 minutes.
The Longest Ride, like all Nicholas Sparks’ story, is not your typical Hollywood romance. It shows good, old-fashioned chivalry and dedication to duty before self interest. Love is not a one-night-stand that crumbles when faced with difficult situations. “Love requires sacrifice...always.” It is noble and true. It allows the beloved his/her freedom and it endures, no matter what. This is not confined to romantic love alone. The film shows care and concern for one’s parent, neighbor, and friend, even at the cost of one’s life.
The film may garner negative comments from critics for being unrealistic and sappy but it stands firm on its Christian view of love and its four forms: agape, phileo, storge, and eros.
CINEMA gives this film an V18 rating for extended sex scenes/nudity, war and violence.